On Literature: On Future (From Fiction to Science-Fiction)

"If [...] you are restless and anxious about the future, study astronomy at once. Your troubles will be reduced amazingly. But your study will reduce them in a singular way, by reducing the importance of everything." (Thomas Hardy, "Two on a Tower", 1882)

"In that instant when I had seen the blazing star that was the Star Maker, I had glimpsed, in the very eye of that splendour, strange vistas of being; as though in the depths of the hypercosmical past and the hypercosmical future also, yet coexistent in eternity, lay cosmos beyond cosmos." (Olaf Stapledon, "Star Maker", 1937)

"Sitting there on the heather, on our planetary grain, I shrank from the abysses that opened up on every side, and in the future. The silent darkness, the featureless unknown, were more dread than all the terrors that imagination had mustered." (Olaf Stapledon, "Star Maker", 1937)

"Is it credible that our world should have two futures? I have seen them. Two entirely distinct futures lie before mankind, one dark, one bright; one the defeat of all man’s hopes, the betrayal of all his ideals, the other their hardwon triumph." (Olaf Stapledon, "Darkness and the Light", 1942)

"We live in reference to past experience and not to future events, however inevitable." (Herbert G Wells, "Mind at the End of Its Tether", 1946)

"And time itself? Time was a never-ending medium that stretched into the future and the past - except there was no future and no past, but an infinite number of brackets, extending either way, each bracket enclosing its single phase of the Universe." (Clifford D Simak,"Ring Around the Sun", 1954

"The biggest developments of the immediate future will take place, not on the Moon or Mars, but on Earth, and it is inner space, not outer, that needs to be explored. The only truly alien planet is Earth." (James G Ballard, "Which Way to Inner Space?", 1962)

"Thanks to technology, the reasons for many of the old social problems have passed, and along with them went many of the reasons for psychic distress. But between the black of yesterday and the white of tomorrow is the great gray of today, filled with nostalgia and fear of the future, which cannot be expressed on a purely material plane, is now being represented by a willful seeking after historical anxiety-modes [...] " (Roger Zelazny," He Who Shapes", 1965)

"What are the facts? Again and again and again - what are the facts? Shun wishful thinking, ignore divine revelation, forget what ‘the stars foretell,’ avoid opinion, care not what the neighbors think, never mind the unguessable ‘verdict of history', - what are the facts, and to how many decimal places? You pilot always into an unknown future; facts are your only clue. Get the facts!" (Robert A Heinlein, "Time Enough for Love", 1973)

"If the passage of time is a feature of human consciousness, past and future are functions of the mind." (Ursula K Le Guin, "The Dispossessed: An Ambiguous Utopia" 1974)

"All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life - science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another." (Ursula K Le Guin, "The Left Hand of Darkness", [introduction] 1976)

"Her dance spoke of nothing more and nothing less than the tragedy of being alive, and being human. It spoke, most eloquently, of pain. It spoke, most knowingly, of despair. It spoke of the cruel humor of limitless ambition yoked to limited ability, of eternal hope invested in an ephemeral lifetime, of the driving need to try and create an inexorably predetermined future. It spoke of fear, and of hunger, and, most clearly, of the basic loneliness and alienation of the human animal. It described the universe through the eyes of man: a hostile environment, the embodiment of entropy, into which we are all thrown alone, forbidden by our nature to touch another mind save secondhand, by proxy. It spoke of the blind perversity which forces man to strive hugely for a peace which, once attained, becomes boredom. And it spoke of folly, of the terrible paradox by which man is simultaneously capable of reason and unreason, forever unable to cooperate even with himself." (Spider Robinson & Jeanne Robinson, "Stardance", 1977)

"Time is no longer a line along which history, past or future, lies neatly arranged, but a field of great mystery and complexity, in the contemplation of which the mind perceives an immense terror, and an indestructible hope." (Ursula K Le Guin, 1977)

"An infinity of universes swim in superspace, all passing through their own cycles of birth and death; some are novel, others repetitious; some produce macrolife, others do not; still others are lifeless. In time, macrolife will attempt to reach out from its cycles to other space-time bubbles, perhaps even to past cycles, which leave their echoes in superspace, and might be reached. In all these ambitions, only the ultimate pattern of development is unknown, drawing macrolife toward some future transformation still beyond its view. There are times when the oldest macrolife senses that vaster intelligences are peering in at it from some great beyond [...]" (George Zebrowski, "Macrolife: A Mobile Utopia", 1979)

"So together they left the office and walked into the uncertainty of the rest of their lives.

"Part of human life is the need to reassure ourselves about the future that we may never live to see, rather than fool ourselves, as many did in the last century, that there won’t be any future and they might as well lie down and die." (George Zebrowski, "Macrolife: A Mobile Utopia", 1979)"Science fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger." (James Gunn, "Road to Science Fiction" Vol. 2, 1979) 

"Science fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger." (James Gunn, "Road to Science Fiction" Vol. 2, 1979)

"I would sum up my fear about the future in one word: boring. And that’s my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again [...] the future is just going to be a vast, conforming suburb of the soul." (James G Ballard, Re/Search 8–9, [interview with Andrea Juno and V. Vale], 1984)

"Human brains back then had become such copious and irresponsible generators of suggestions as to what might be done with life, that they made acting for the benefit of future generations seem one of many arbitrary games which might be played by narrow enthusiasts - like poker or polo or the bond market, or the writing of science-fiction novels." (Kurt Vonnegut Jr, "Galapagos" 1985)

"All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elegant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains malleable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of its rules." (Iain Banks, "The Player of Games", 1988)

"Every so often I come up with a different definition of what science fiction and fantasy do, and I'm always looking for one that describes what they both do, rather than separating them. Currently I'm saying that one of the things they do is look at the effects of large-scale social change on both populations and individuals. Fantasy tends to look to the past, and science fiction to the future, but what is common to many of the stories is change: huge societal upheaval." (Nalo Hopkinson, "Nalo Hopkinson: Multiplicity", LocusMag, 2007)

"Science fiction pretends to look into the future but it’s really looking at a reflection of what is already in front of us." (Ray Bradbury, The Paris Review, [interview] 2010) 

"Overfitting is like attending a concert of your favorite band. Depending on the acoustics of the concert venue you will hear both music and noise from the screams of the crowd to reverberations off walls and so on. Overfitting happens when your model perfectly fits both the music and the noise when the intent is to fit the structure (the music). It is generally a result of the predictor being too complex (recall Occams Razor) so that it fits the underlying structure as well as the noise. The consequence is a small or zero test set classification error. Alas, this super low error rate will fail to materialize on future unseen samples. One consequence of overfitting is poor generalization (prediction) on future data." (N D Lewis, "Deep Learning Made Easy with R: A Gentle Introduction for Data Science", 2016)

"Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called "other", which is simply another universe, another planet, another species." (Theodore Sturgeon)

Rick Delmonico - Collected Quotes

"A quantum of action in a field creates the dimensions it inhabits. Fields contain waves of potential."  (Rick Delmonico, "Fractals all the way down", 2018)

"At every level of the fractal hierarchy, variation enters the system in different ways, so there is no scale invariance. All of the information is stored in the relationships of and in each level in the computational geometry." (Rick Delmonico, "Fractals all the way down", 2018)

"How can unity and infinity share the same space? There is only one way, as a fractal." (Rick Delmonico, "Fractals all the way down", 2018)

"In a fractal nested hierarchy there are an infinite number of boundaries and boundary conditions, this is important because this is where emergence comes from and this is why there are no perfect symmetries."  (Rick Delmonico, "Fractals all the way down", 2018)

"The computational geometry of space/time is fractal. The entire system is interwoven as a fractal and as each series of iterations occur, there is a dithering of sorts because the difference in possibilities can be matastable in many locations in the computation. Each layer of the system computes in a frequency that is probably following the phi ratio. Measurement is always described as ratio and scale may be, in a sense, an illusion. Light appears to be scale invariant and the cutoff frequency may be another illusion. If this is true, everything is fields and particles are just a smaller version of a field." (Rick Delmonico, "Fractals all the way down", 2018)

"The fractal nesting of the relationship between space and time at different scales causes phase transitions as the influence of one force changes with respect to another. From this we get the astonishing variety of behaviors in the material world." (Rick Delmonico, "Fractals all the way down", 2018)

"The particle/wave duality has something to do with the nature of time. Time is intimately linked to information, you cannot separate them. Information moving in time always contains meaning. This meaning has a truth value. There is a dynamic nature to these truth values with application and material expressions. Experience relies on these expressions, it is the perception or division of the expression that creates the experience. How much we are able to understand varies from experience to experience. In the quantum world these expressions have a probability. A fractal probability distribution." (Rick Delmonico, "Fractals all the way down", 2018)

"The structure of reality is a computational geometry that is fractal in nature. Truth is the highest energy state of the system, we are branching out in a fractal pattern into uncertainty. What we value matters, meaning is generated in a nested hierarchy. The intellect will only get you so far, beyond this are things like desire. Desire is a higher level of processing, it is deeper and more nuanced. There is something beyond the emotional realm that I will call spirit, as an organizing principle, spirit has the ability to transcend space and time and generates value and meaning that have harmonious relationships that keep the system going. Without harmony and some principle of organization, time or process would end."  (Rick Delmonico, "Fractals all the way down", 2018)

"There is a fractal nesting of time-like loops in spacetime. Both space and time emerge from a quantum of action in a field. Space and time are united but different. The scale of the dimensions is inversely proportional, as well as the density. The only infinity is one of scale." (Rick Delmonico, "Fractals all the way down", 2018)

"Waves travel according to their dimensionality. The idea is to find agreement in two unrelated fields that point to the same thing, a duality. Waves can't be quantized, interactions among the associated dimensions can. Fractal geometry and levels of description. It is the interaction of forces across scale, with ratio being the only thing that is discrete." (Rick Delmonico, "Fractals all the way down", 2018)

On Literature: On Art (From Fiction to Science-Fiction)

"Either all things proceed from one intelligent source and come together as in one body, and the part ought not to find fault with what is done for the benefit of the whole; or there are only atoms, and nothing else than a mixture and dispersion. Why, then, art thou disturbed? Say to this ruling faculty, Art thou dead, art thou corrupted, art thou playing the hypocrite, art thou become a beast, dost thou herd and feed with the rest?" (Marcus Aurelius, "Meditations". cca. 121–180 AD

"Only by taking infinitesimally small units for observation (the differential of history, that is, the individual tendencies of men) and attaining to the art of integrating them (that is, finding the sum of these infinitesimals) can we hope to arrive at the laws of history." (Lev N Tolstoy, "War and Peace", 1867)

"Science may fall back on its stupid excuse that science works for science, and that when it has been developed by the scientists it will become accessible to the people also; but art, if it be art, should be accessible to all, and particularly to those for whom it is produced. And the position of our art strikingly arraigns the producers of art for not wishing, not knowing how, and being unable, to serve the people." (Lev N Tolstoy, "What then must we do?", 1886)

"True art and true science possess two unmistakable marks: the first, an inward mark, which is this, that the servitor of art and science will fulfil his vocation, not for profit but with self- sacrifice; and the second, an external sign, his productions will be intelligible to all the people whose welfare he has in view." (Lev N Tolstoy,"What to Do?: Thoughts Evoked by the Census of Moscow", 1887)

"Paradox though it may seem - and paradoxes are always dangerous things - it is none the less true that Life imitates art far more than Art imitates life." (Oscar Wilde, "The Decay of Lying", 1891)

"Science and art are as closely bound together as the lungs and heart, so that if one organ is vitiated the other cannot act rightly." (Leo Tolstoy, "What Is Art?", 1897)

"Escape, God how we all need escape from this tiny here. The need for it has motivated just about everything man has ever done in any direction other than that of the satisfaction of his physical appetites; it has led him along weird and wonderful pathways; it has led him into art and religion, ascetism Exploration and Adventure [sic] and astrology, dancing and drinking, poetry and insanity. All of these have been escapes because he has known only recently the true direction of escape - outward, into infinity and eternity, away from this little flat if rounded surface we’re born on and die on. This mote in the solar system, this atom in the galaxy." (Fredric Brown, "The Lights in the Sky Are Stars", 1953)

"Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern." (Alfred N Whitehead, "Dialogues", 1954)

"Science explains the world, but only Art can reconcile us to it." (Stanislaw Lem, "King Globares and the Sages", 1965)

"Music is a cooperative art, organic by definition, social. It may be the noblest form of social behavior we’re capable of. It’s certainly one of the noblest jobs an individual can undertake. And by its nature, by the nature of any art, it’s a sharing. The artist shares, it’s the essence of his act." (Ursula K Le Guin, "The Dispossessed: An Ambiguous Utopia", 1974)

"How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers." (Isaac Asimov, "The Roving Mind", 1983)

"In every language, from Arabic to Zulu to calligraphy to shorthand to math to music to art to wrought stone, everything from the Unified Field Theory to a curse to a sixpenny nail to an orbiting satellite, anything expressed is a net around some idea." (Richard Bach, "One", 1988)

"There is an art to science, and science in art; the two are not enemies, but different aspects of the whole." (Isaac Asimov, "Isaac Asimov’s Book of Science and Nature Quotations", 1988)

"Things rarely happen for a single reason. Even the cleverest and most skilled manipulators recognize that their real art lies in making use of that which they cannot predict." (Tom Clancy, "Debt of Honor", 1994)

"Science with all its faults has brought education and the arts to more people - a larger percentage - than has ever existed before science. In that respect it is science that is the great humanizer. And, if we are going to solve the problems that science has brought us, it will be done by science and in no other way." (Isaac Asimov, "Essay 400: A Way of Thinking, "The Magazine of Fantasy and Science Fiction", 1994)

"At base, science is no more than an investigation of a miracle we can never explain, and art is an interpretation of that miracle." (Ray Bradbury)

On Literature: On Swarms (From Fiction to Science-Fiction)

"I wish that strife would vanish away from among gods and mortals, and gall, which makes a man grow angry for all his great mind, that gall of anger that swarms like smoke inside of a man's heart and becomes a thing sweeter to him by far than the dripping of honey." (Homer, "The Iliad" cca. 750–700 BC)

"No one can count the terrors that the earth spawns, catastrophic, gruesome, and the vast arms of the sea swarm with brute monsters bent on harm, and everywhere between the sky and ground lights bloom by day in flares and sudden bolts; and birds and beasts alike can tell of the whirlwind's whirling wrath." (Aeschylus, "The Oresteia", 458 BC)

"What a swarm of sophists you lot have swirled up!" (Archilochoi, "The Archilochuses", cca. 448 BC) 

"Either all things proceed from one intelligent source and come together as in one body, and the part ought not to find fault with what is done for the benefit of the whole; or there are only atoms, and nothing else than a mixture and dispersion. Why, then, art thou disturbed? Say to this ruling faculty, Art thou dead, art thou corrupted, art thou playing the hypocrite, art thou become a beast, dost thou herd and feed with the rest?" (Marcus Aurelius, "Meditations". cca. 121–180 AD

"What is not good for the swarm is not good for the bee." (Marcus Aurelius, "Meditations", cca. 161–180)

"A writer must make up his mind to the possible rough treatment of the critics, who swarm like bacteria whenever there is any literary material on which they can feed." (Oliver W Holmes, "Over the Teacups", 1891)

"No one would have believed, in the last years of the nineteenth century, that human affairs were being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their affairs they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most, terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us." (Herbert G Wells, "The War of the Worlds", 1898)

"There is only this swarm of dying creatures stricken with longevity, all the more hateful in that they are so good at organizing their agony." (Emil M. Cioran, "The Fall into Time", 1964)

"Number theory swarms with bugs, waiting to bite the tempted flower-lovers who, once bitten, are inspired to excesses of effort!" (Barry Mazur, "Number Theory as Gadfly", Amer. Math. Monthly 98, 1991

"Here's the secret that every successful software company is based on: You can domesticate programmers the way beekeepers tame bees. You can't exactly communicate with them, but you can get them to swarm in one place and when they're not looking, you can carry off the honey." (Orson Scott Card, "How Software Companies Die", Windows Sources: The Magazine for Windows Experts, 1995)

"Perspective [is] a luxury when your head [is] constantly buzzing with a swarm of demons.”  (Khaled Hosseini) 

"What strange phenomena we find in a great city, all we need do is stroll about with our eyes open. Life swarms with innocent monsters." (Charles Baudelaire) 

On Literature: On Improbable (From Fiction to Science-Fiction)

"How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?" (Arthur C Doyle, "The Sign of Four" , 1890)

"No one would have believed, in the last years of the nineteenth century, that human affairs were being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their affairs they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most, terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us." (Herbert G Wells, "The War of the Worlds", 1898)

"He built up impossible situations, devised great travels and adventures, accepted shaky premises and theories, dallied with metaphysical speculation. He wandered to improbable dimensions, conversed with strange beings that lived on unknown worlds, battled with vicious entities that spawned outside the pale of time and space, rescued civilizations tottering on the brink of horrible destruction." (Clifford D Simak, "Earth for Inspiration", 1941)

"It had just dawned on him, with the dazzling glow of revelation, that the whole course of anybody’s life was determined by improbable accidents." (Damon Knight, "You’re Another", 1955)

"The capacity of humans to believe in what seems to me highly improbable - from table tapping to the superiority of their children - has never beenplumbed. Faith strikes me as intellectual laziness." (Robert A Heinlein, "Stranger in a Strange Land", 1961)

"It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable." (Rod Serling, The Twilight Zone, "The Fugitive", 1962)

"Phrased rather too simply, science fiction deals with improbable possibilities, fantasy with plausible impossibilities." (Miriam Allen deFord, "Elsewhere, Elsewhen, Elsehow", 1971)

"In the wastes of nonbeing it is born, flickers out, is born again and holds together, swells and spreads. In lifelessness it lives, against the gray tide of entropy it strives, improbably persists, gathering itself into ever richer complexities until it grows as a swelling wave. (James Tiptree Jr., "She Waits for All Men Born", 1976)

"The idea was fantastically, wildly improbable. But like most fantastically, wildly improbable ideas it was at least as worthy of consideration as a more mundane one to which the facts had been strenuously bent to fit." (Douglas Adams, "The Long Dark Tea-Time of the Soul", 1988)

"The impossible often has a kind of integrity to it which the merely improbable lacks." (Douglas Adams, "The Long Dark Tea-Time of the Soul", 1988)

On Literature: On Improbable (From Fiction to Science-Fiction)

"How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?" (Arthur C Doyle, "The Sign of Four" , 1890)

"When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth." (Arthur C Doyle, "The Sign of Four", 1890)

"No one would have believed, in the last years of the nineteenth century, that human affairs were being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their affairs they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most, terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us." (Herbert G Wells, "The War of the Worlds", 1898)

"It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable." (Rod Serling, The Twilight Zone, "The Fugitive", 1962)

"Phrased rather too simply, science fiction deals with improbable possibilities, fantasy with plausible impossibilities." (Miriam Allen deFord, "Elsewhere, Elsewhen, Elsehow", 1971)

"In the wastes of nonbeing it is born, flickers out, is born again and holds together, swells and spreads. In lifelessness it lives, against the gray tide of entropy it strives, improbably persists, gathering itself into ever richer complexities until it grows as a swelling wave. (James Tiptree Jr., "She Waits for All Men Born", 1976)

"The impossible often has a kind of integrity to it which the merely improbable lacks." (Douglas Adams, "The Long Dark Tea-Time of the Soul", 1988)

"Fantasy is the impossible made probable. Science Fiction is the improbable made possible." (Rod Serling) 

On Literature: On Poets (From Fiction to Science-Fiction)

"We are not concerned with the very poor. They are unthinkable, and only to be appreciated by the statistician or the poet." (Edward M Forster, "Howards End", 1910)

"To be so closely caught up in the teeth of things that they kill you, no matter how infinitesimally kill you, is, truly, to be a poet: and to be a poet in fact it is additionally necessary that you should possess the tongues and instruments with which to record this series of infinitesimal deaths." (George Barker,"Therefore All Poems Are Elegies", 1940)

"You know how one feels about history, the glamour of the past; I expected to hear everybody talking about great events - battles, poets, that kind of thing - but of course you don’t. You just squabble among yourselves." (Gore Vidal, "Visit to a Small Planet", [revised, play] 1957)

"I might well retort that many men on Earth have had the presentiment of a! superior being who may one day succeed them but that no scientist, philosopher, or poet  has ever imagined this superhuman in the guise of an ape." (Pierre Boulle, "Planet of the Apes", 1963)

"That perfected machines may one day succeed us is, I remember, an extremely commonplace notion on Earth. It prevails not only among poets and romantics but in all classes of society. Perhaps it is because it is so widespread, born spontaneously in popular imagination, that it irritates scientific minds. Perhaps it is also for this very reason that it contains a germ of truth. Only a germ: Machines will always be machines; the most perfected robot, always a robot." (Pierre Boulle, "Planet of the Apes", 1963)

"Love is not, as some poets say, a raging brush fire, but a hearthfire, which burns hotly, it is true, but in order to warm the cold sea-caves of the heart and light its pools with anemones of radiance." (Thomas B Swann, "Day of the Minotaur", 1966)

"Myths are not fiction, but history seen with a poet’s eyes and recounted in a poet’s terms." (Frank Herbert & Bill Ransom, "The Jesus Incident", 1979)

"If poets are the unacknowledged legislators of the world, science-fiction writers are its court jesters." (Bruce Sterling, "Burning Chrome", [preface] 1986)

"People who plan roads, bridges, sewers, and so forth are called civil engineers. Civilization happens in cities, where civil society is possible, because of civil engineers. Cities are fed by roads, drained by sewers, watered by pipes that they lay down. There have been barbarian poets and composers, even painters and some lawyers, but never a barbarian civil engineer. You have to be civilized to care about roads." (John Barnes, "My Advice to the Civilized", 1990)

"People reach their peak ability as military commanders much earlier than we thought. Most of them in their late teens. The same age when poets do their most passionate and revolutionary work. And mathematicians. They peak, and then it falls off. They coast on what they learned back when they were still young enough to learn." (Orson Scott Card, "First Meetings in Ender's Universe", 2002)

James G Ballard - Collected Quotes

"A few moments earlier the water had seemed cool and inviting, but now had become a closed world, the barrier of the surface like a plane between two dimensions." (James G Ballard, "The Drowned World", 1962)

"However selective the conscious mind may be, most biological memories are unpleasant ones, echoes of danger and terror. Nothing endures for so long as fear." (James G Ballard, "The Drowned World", 1962)

"Speculative fantasy, as I prefer to call the more serious fringe of science fiction, is an especially potent method of using one’s imagination to construct a paradoxical universe where dream and reality become fused together, each retaining its own distinctive quality and yet in some way assuming the role of its opposite, and where by an undeniable logic black simultaneously becomes white." (James G Ballard, "Time, Memory, and Inner Space’", 1963)

"It marked the beginning of the giant’s surrender to that all-demanding system of time in which the rest of humanity finds itself, and of which, like the million twisted ripples of a fragmented whirlpool, our finite lives are the concluding products." (James G Ballard, "The Drowned Giant", 1965)

"Our lives today are not conducted in linear terms. They are much more quantified; a stream of random events is taking place." (James G Ballard, [Conversation with George MacBeth on Third Programme - BBC], 1967)

"Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century." (James G Ballard, "Fictions of Every Kind", 1971)

"The role of the writer today has totally changed - he is now merely one of a huge army of people filling the environment with fictions of every kind. To survive, he must become far more analytic, approaching his subject matter like a scientist or engineer. If he is to produce fiction at all, he must outimagine everyone else, scream louder, whisper more quietly. For the first time in the history of narrative fiction, it will require more than talent to become a writer." (James G Ballard, "Fictions of Every Kind", 1971)

"Even the vagal flushes that seized at my chest seemed extensions of that real world of violence calmed and tamed within our television programmes and the pages of news magazines." (James G Ballard, "Crash", 1973)

"The catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness." (James G Ballard, "Cataclysms and Dooms" 1977)

"I would sum up my fear about the future in one word: boring. And that’s my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again [...] the future is just going to be a vast, conforming suburb of the soul." (James G Ballard, Re/Search 8–9, [interview with Andrea Juno and V. Vale], 1984)

On Literature: On Poetry (From Fiction to Science-Fiction)

"For true poetry, complete poetry, consists in the harmony of contraries. Hence, it is time to say aloud - and it is here above all that exceptions prove the rule - that everything that exists in nature exists in art." (Victor Hugo, "Dramas", 1896)

"I wondered at the ancients who had never realized the utter absurdity of their literature and poetry. The enormous, magnificent power of the literary word was completely wasted. It’s simply ridiculous - everyone wrote anything he pleased." (Yevgeny Zamiatin, "We", 1924)

"At the final stage you teach me that this wondrous and multicolored universe can be reduced to the atom and that the atom itself can be reduced to the electron. All this is good and I wait for you to continue. But you tell me of an invisible planetary system in which electrons gravitate around a nucleus. You explain this world to me with an image. I realize then that you have been reduced to poetry: I shall never know. Have I the time to become indignant? You have already changed theories. So that science that was to teach me everything ends up in a hypothesis, that lucidity founders in metaphor, that uncertainty is resolved in a work of art." (Albert Camus, "The Myth of Sisyphus", 1942)

"We have heard much about the poetry of mathematics, but very little of it has as yet been sung. The ancients had a juster notion of their poetic value than we. The most distinct and beautiful statements of any truth must take at last the mathematical form. We might so simplify the rules of moral philosophy, as well as of arithmetic, that one formula would express them both." (Henry D Thoreau, "A Week on the Concord and Merrimac Rivers", 1849)

"Escape, God how we all need escape from this tiny here. The need for it has motivated just about everything man has ever done in any direction other than that of the satisfaction of his physical appetites; it has led him along weird and wonderful pathways; it has led him into art and religion, ascetism Exploration and Adventure [sic] and astrology, dancing and drinking, poetry and insanity. All of these have been escapes because he has known only recently the true direction of escape - outward, into infinity and eternity, away from this little flat if rounded surface we’re born on and die on. This mote in the solar system, this atom in the galaxy." (Fredric Brown, "The Lights in the Sky Are Stars", 1953)

"We see the universe as it is, Father Damien, and these naked truths are cruel ones. We who believe in life, and treasure it, will die. Afterward there will be nothing, eternal emptiness, blackness, nonexistence. In our living there has been no purpose, no poetry, no meaning. Nor do our deaths possess these qualities. When we are gone, the universe will not long remember us, and shortly it will be as if we had never lived at all. Our worlds and our universe will not long outlive us. Ultimately entropy will consume all, and our puny efforts cannot stay that awful end." (George R R Martin, "The Way of Cross and Dragon", 1979)

"Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called "other", which is simply another universe, another planet, another species." (Theodore Sturgeon)

On Literature: On Memory (From Fiction to Science-Fiction)

"Some dreams I have had in this cottage seem to give strength to the opinion that there is a psychic memory attached to certain neighbourhoods." (John M Synge, "The Aran Islands", 1907)

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time." (Howard P Lovecraft, "The White Ship", 1919)

*Other memories encroached, cold, fear-etched memories that reached forhim like taloned, withered claws. Memories of alien lands acrawl with loathesomeness and venom. Strange planets that were strange not because they were alien, but because of the abysmal terror in the very souls of them. Memories of shambling things that triumphed over pitiful peoples whose only crime was they could not fight back." (Clifford D Simak, "Shadow of Life", 1943)

"Memory is not a passive filing cabinet, but a continuous process beneath the level of consciousness; in a way, you are always reliving your entire past." (Poul Anderson, "Journeys End", 1957)

"However selective the conscious mind may be, most biological memories are unpleasant ones, echoes of danger and terror. Nothing endures for so long as fear." (James G Ballard, "The Drowned World", 1962)

"In the language of cybernetics, maintaining reactions can be outlined as follows: the sensing material receives information about the external environment in the form of coded signals. This information is reprocessed and sent in the form of new signals through defined channels, or networks. This new information brings about an internal reorganization of the system which contributes to the preservation of its integrity. The mechanism which reprocesses the information is called the control system. It consists of a vast number of input and output elements, connected by channels through which the signals are transmitted. The information can be stored in a recall or memory system, which may consist of separate elements, each of which can be in one of several stable states. The particular state of the element varies, under the influence of the input signals. When a number of such elements are in certain specified states, information is, in effect, recorded in the form of a text of finite length, using an alphabet with a finite number of characters. These processes underlie contemporary electronic computing machines and are, in a number of respects, strongly analogous to biological memory systems." (Carl Sagan, "Intelligent Life in the Universe", 1966)

"History has limited use, she knew, since memory distorts." (Suzy M Charnas, "The Unicorn Tapestry’", 1980)

"Memory never recaptures reality. Memory reconstructs. All reconstructions change the original, becoming external frames of reference that inevitably fall short." (Frank Herbert, "Heretics of Dune", 1983)

"Some things you teach yourself to remember to forget." (William Gibson, "Count Zero", 1986)

"Do not look for revelations in the ancient ruins. You will find here only what you bring: bits of memory, wisps of the past as thin as clouds in the summer, fragments of stone that are carved with symbols that sometimes almost make sense." (Pat Murphy," The Falling Woman"1986)

"We live forever, we transform ourselves, we transform worlds, solar systems, we ship across interstellar space, we defy time and deny death, but the one thing we cannot recreate is memory, he thought." (Ian MacDonald, "The Days of Solomon Gursky", 1998)