"By a symbol I do not mean an allegory or a sign, but an image that describes in the best possible way the dimly discerned nature of the spirit. A symbol does not define or explain; it points beyond itself to a meaning that is darkly divined yet still beyond our grasp, and cannot be adequately expressed in the familiar words of our language." (Carl G Jung, "The Structure And Dynamics Of The Psyche", 1960)
"Language, in its origin and essence, is simply a system of signs or symbols that denote real occurrences or their echo in the human soul." (Carl G Jung, "The Structure And Dynamics Of The Psyche", 1960))
"The symbol is the tool which gives man his power, and it is the same tool whether the symbols are images or words, mathematical signs or mesons." (Jacob Bronowski, "The Reach of Imagination", 1967)
"If 'model' is taken to mean visual representation or analogy with familiar experience, then clearly not every theory involves a model. Thus field theories, whether classical or quantal, are hardly visualisable. And if 'model' is taken to mean mechanism - either in a narrow mechanical sense or in a wide sense including nonmechanical mechanisms such as the meson field mechanism of nuclear forces - then some theories do contain models of this kind while others do not. [...] On the other hand in a third sense every physical theory is a model, namely of the underlying mathematical formalism. Moreover a physical theory is twice a model in the model-theoretic sense: once because every one of its basic signs has a particular interpretation within mathematics, another time because the same sign may have a physical interpretation as well - as is the case with all the referential primitives." (Mario Bunge, "Philosophy of Physics", 1973)
"Information is carried by physical entities, such as books or sound waves or brains, but it is not itself material. Information in a living system is a feature of the order and arrangement of its parts, which arrangement provides the signs that constitute a ‘code’ or ‘language’." (John Z Young, "Programs of the Brain", 1978)
"In a modern professional vocabulary a hypothesis is an imaginative preconception of what might be true in the form of a declaration with verifiable deductive consequences. It no longer tows ‘gratuitous’, ‘mere’, or ‘wild’ behind it, and the pejorative usage" (‘Evolution is a mere hypothesis’, ‘It is only a hypothesis that smoking causes lung cancer’) is one of the outward signs of little learning." (Sir Peter B Medawar, "Pluto’s Republic: Incorporating the Art of the Soluble and Induction Intuition in Scientific Thought", 1982)
"Signs are not empirical objects. Empirical objects become signs (or they are looked at as signs) only from the point of view of a philosophical decision." (Umberto Eco, "Semiotics and the Philosophy of Language", 1984)
"When semiotics posits such concepts as 'sign', it does not act like a science; it acts like philosophy when it posits such abstractions as subject, good and evil, truth or revolution." (Umberto Eco, "Semiotics and the Philosophy of Language", 1984)
"Modeling underlies our ability to think and imagine, to use signs and language, to communicate, to generalize from experience, to deal with the unexpected, and to make sense out of the raw bombardment of our sensations. It allows us to see patterns, to appreciate, predict, and manipulate processes and things, and to express meaning and purpose. In short, it is one of the most essential activities of the human mind. It is the foundation of what we call intelligent behavior and is a large part of what makes us human. We are, in a word, modelers: creatures that build and use models routinely, habitually – sometimes even compulsively – to face, understand, and interact with reality. " (Jeff Rothenberg, "The Nature of Modeling. In: Artificial Intelligence, Simulation, and Modeling", 1989)
"Maps, due to their melding of scientific and artistic approaches, always involve complex interaction between the denotative and the connotative meanings of signs they contain." (Alan M MacEachren, "How Maps Work: Representation, Visualization, and Design", 1995)
"When visualization tools act as a catalyst to early visual thinking about a relatively unexplored problem, neither the semantics nor the pragmatics of map signs is a dominant factor. On the other hand, syntactics (or how the sign-vehicles, through variation in the visual variables used to construct them, relate logically to one another) are of critical importance." (Alan M MacEachren, "How Maps Work: Representation, Visualization, and Design", 1995)
"In both quantum theory and general relativity, we encounter predictions of physically sensible quantities becoming infinite. This is likely the way that nature punishes impudent theorists who dare to break her unity. […] If infinities are signs of missing unification, a unified theory will have none. It will be what we call a finite theory." (Lee Smolin, "The Trouble with Physics: The Rise of String Theory, The Fall of a Science and What Comes Next", 2006)
"[…] in all things that live there are certain irregularities and deficiencies which are not only signs of life, but sources of beauty. No human face is exactly the same in its lines on each side, no leaf perfect in its lobes, no branch in its symmetry. All admit irregularity as they imply change; […]" (John Ruskin,"The Stones of Venice: The Sea Stories", 2013)
"Using maps as communication tools masks their complexity as a mode of thinking. Maps act like language: we attribute the signs or marks in the map to a natural extension of thought. But post-structuralism exposed maps (like language) as artificial signs whose meaning is tethered to time, place, culture, gesture, smell - in short, a plethora of cognitive and phenomenal attributes of our communication ecology." (Winifred E Newman, "Data Visualization for Design Thinking: Applied Mapping", 2017)
"When dealing with meaningful visual representation, aspects of a representation's meaning can be altered by modifying its visual characteristics; these characteristics are extensively explored in semiotics, the study of signs and symbols and their use or interpretation." (Vidya Setlur & Bridget Cogley, "Functional Aesthetics for data visualization", 2022)