On Literature: On Possibilities (From Fiction to Science-Fiction)

"A writer must make up his mind to the possible rough treatment of the critics, who swarm like bacteria whenever there is any literary material on which they can feed." (Oliver W Holmes, "Over the Teacups", 1891)

"It is more than possible; it is probable." (Arthur C Doyle, "The Memoirs of Sherlock Holmes", 1893)

"What will not be forgotten, and what will and should continue to obsess our imaginations, is this revelation of the possibilities of the universe, this destruction of our ignorant self-complacency, and this demonstration of how narrow is the path of our material existence, and what abysses may lie upon either side of it. Solemnity and humility are at the base of all our emotions to-day. May they be the foundations upon which a more earnest and reverent race may build a more worthy temple." (Arthur C Doyle, "The Poison Belt", 1913)

"Your ancestor did not believe in a uniform, absolute time. He believed in an. infinite series of times, in a growing, dizzying net of divergent, convergent and parallel times. This network of times which approached one another, forked, broke off, or were unaware of one another for centuries, embraces all possibilities of time." (Jorge Luis Borges, "The Garden of Forking Paths", 1941)

"Except under controlled conditions, or in circumstances where it is possible to ignore individuals and consider only large numbers and the law of averages, any kind of accurate foresight is impossible." (Aldous Huxley, "Time Must Have a Stop", 1944)

"The point is that we are all capable of believing things which we know to be untrue, and then, when we are finally proved wrong, impudently twisting the facts so as to show that we were right. Intellectually, it is possible to carry on this process for an indefinite time: the only check on it is that sooner or later a false belief bumps up against solid reality, usually on a battlefield." (George Orwell, "In Front of Your Nose", Tribune, 1946)

"It is possible that mankind is on the threshold of a golden age; but, if so, it will be necessary first to slay the dragon that guards the door, and this dragon is religion." (Bertrand Russell, "Why I Am Not a Christian: And Other Essays on Religion and Related Subjects", 1957)

"Science fiction makes the implausible possible, while science fantasy makes the impossible plausible." (Rod Serling, "The Twilight Zone", "The Fugitive", 1962)

"Phrased rather too simply, science fiction deals with improbable possibilities, fantasy with plausible impossibilities." (Miriam Allen deFord, "Elsewhere, Elsewhen, Elsehow", 1971)

"People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be." (Isaac Asimov, "The Planet That Wasn't", 1976)

"The idea of making machines that think has an unfailing fascination, not only for science fiction readers, but for all who can see it is a possible way of gaining some understanding of the working of our own minds. Thinking, however, is not an easily defined phenomenon, although it is often considered to be the process of solving problems." (Edward Ihnatowicz, "The Relevance of Manipulation to the Process of Perception", 1977)

"Men have an extraordinary, and perhaps fortunate, ability to tune out of their consciousness the most awesome future possibilities." (Arthur C Clarke, "The Fountains of Paradise", 1979)

"Fiction, because it is not about somebody who actually lived in the real world, always has the possibility of being about oneself." (Orson Scott Card, "Ender’s Game", 1985)

"I think that most of us, anyway, read these stories that we know are not 'true' because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself." (Orson Scott Card, "Ender’s Game", [introduction] 1985)

"Intelligence takes chances with limited data in an arena where mistakes are not only possible but also necessary." (Frank Herbert, "Chapterhouse: Dune", 1985)

"Everything possible to be believed is an image of the truth." (Orson Scott Card, "The Tales of Alvin Maker: Seventh Son", 1987)

"All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elegant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains malleable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of its rules." (Iain Banks, "The Player of Games", 1988)

"This possibility of sudden change is at the center of the idea of the Tipping Point and might well be the hardest of all to accept. [...] The Tipping Point is the moment of critical mass, the threshold, the boiling point." (Malcolm T Gladwell, "The Tipping Point: How Little Things Can Make a Big Difference", 2000)

"Our lives are about development, mutation and the possibility of change; that is almost a definition of what life is: change. [...] If you disable change, if you effectively stop time, if you prevent the possibility of the alteration of an individual’s circumstances - and that must include at least the possibility that they alter for the worse - then you don’t have life after death; you just have death." (Iain M Banks, "Look to Windward", 2000)

"Science fiction these days is only half a step ahead of science. Astrophysicists and scientists are working in the same way as science fiction writers. They’re working things out in their imagination based on the slim scientific facts that they know. Hawking imagines a black hole and then discovers the mathematics that support his theory, and new possibilities come to light. That’s the imaginative flair that scientists have to have. For me as a sci-fi writer, spinning those ideas in your mind brings you to the point where you dream in science fiction. Suddenly you think of something in the middle of the night, and it’s so vivid you don’t need to write it down because you know you’ll remember it in the morning. That’s what these books, Zero G, reflect: a vivid imagination." (William Shatner, "William Shtner on Sci-Fi, Aging and the Environment", Saturday Evening Post, [interview] 2017)