"Nothing is more futile than theorizing about music. No doubt there are laws, mathematically strict laws, but these laws are not music; they are only its conditions […] The essence of music is revelation." (Heinrich Heine, "Letters on the French Stage", 1837)
"May not Music be described as the Mathematic of sense, Mathematic as the Music of the reason? the soul of each the same! Thus the musician feels Mathematic, the mathematician thinks Music - Music the dream, Mathematic the working life - each to receive its consummation from the other when the human intelligence, elevated to its perfect type […]" (James J Sylvester, "On Newton’s Rule for the Discovery of Imaginary Roots", 1865)
"I think it would be desirable that this form of word [mathematics] should be reserved for the applications of the science, and that we should use mathematic in the singular to denote the science itself, in the same way as we speak of logic, rhetoric, or (own sister to algebra) music." (James J Sylvester, [Presidential Address to the British Association] 1869)
"We do not listen with the best regard to the verses of a man who is only a poet, nor to his problems if he is only an algebraist; but if a man is at once acquainted with the geometric foundation of things and with their festal splendor, his poetry is exact and his arithmetic music." (Ralph W Emerson, "Society and Solitude", 1870)
"The mind of man may be compared to a musical instrument with a certain range of notes, beyond which in both directions we have an infinitude of silence. The phenomena of matter and force lie within our intellectual range, and as far as they reach we will at all hazards push our inquiries. But behind, and above, and around all, the real mystery of this universe [Who made it all?] lies unsolved, and, as far as we are concerned, is incapable of solution." (John Tyndall, "Fragments of Science for Unscientific People", 1871)
"Mathematics and music, the most sharply contrasted fields of scientific activity which can be found, and yet related, supporting each other, as if to show forth the secret connection which ties together all the activities of our mind, and which leads us to surmise that the manifestations of the artist's genius are but the unconscious expressions of a mysteriously acting rationality." (Hermann von Helmholtz, "Vorträge und Reden", Bd. 1, 1884)
"Mathematics and music! the most glaring possible opposites of human thought! and yet connected, mutually sustained!" (Hermann von Helmholtz, "Popular Lectures on Scientific Subjects", 1885)
"Mathematics is the instrument by which the engineer tunnels out mountains, bridges our rivers, constructs our aqueducts, erects out factories and makes them musical by the busy hum of spindles. Take away the results of the reasoning of mathematics, and there would go with it nearly all the material achievements which give convenience and glory to modern civilization." (Edward Brooks, "Mental Science and Culture", 1891)
"Mathematics has a triple end. It is to furnish an instrument for the study of nature. But that is not all. It has a philosophic end, and I dare say it, an esthetic end. […] Those skilled in mathematics find in it pleasure akin to those which painting and music give. They admire the delicate harmony of numbers and of forms; they marvel when a new discovery opens an unexpected perspective; and is this pleasure not esthetic, even though the senses have no part in it?" (Henri Poincaré, "Sur les rapports de l’analyse pur et de la physique mathématique", [Report to the Zurich International Congress of Mathathematics], 1897)
Note: The quotes have been reordered chronologically.
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