Geometrical Figures II: Triangles

"Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed. It is written in the language of mathematics, and its characters are triangles, circles, and other geometric figures without which it is humanly impossible to understand a single word of it; without these, one wanders about in a dark labyrinth." (Galileo Galilei, "The Assayer", 1623)

"[…] the speculative propositions of mathematics do not relate to facts; […] all that we are convinced of by any demonstration in the science, is of a necessary connection subsisting between certain suppositions and certain conclusions. When we find these suppositions actually take place in a particular instance, the demonstration forces us to apply the conclusion. Thus, if I could form a triangle, the three sides of which were accurately mathematical lines, I might affirm of this individual figure, that its three angles are equal to two right angles; but as the imperfection of my senses puts it out of my power to be, in any case, certain of the exact correspondence of the diagram which I delineate, with the definitions given in the elements of geometry, I never can apply with confidence to a particular figure, a mathematical theorem." (Dugald Stewart, "Elements of the Philosophy of the Human Mind", 1792)

"Every process of what has been called Universal Geometry - the great creation of Descartes and his successors, in which a single train of reasoning solves whole classes of problems at once, and others common to large groups of them - is a practical lesson in the management of wide generalizations, and abstraction of the points of agreement from those of difference among objects of great and confusing diversity, to which the purely inductive sciences cannot furnish many superior. Even so elementary an operation as that of abstracting from the particular configuration of the triangles or other figures, and the relative situation of the particular lines or points, in the diagram which aids the apprehension of a common geometrical demonstration, is a very useful, and far from being always an easy, exercise of the faculty of generalization so strangely imagined to have no place or part in the processes of mathematics." (John S Mill, "An Examination of Sir William Hamilton’s Philosophy", 1865)

"It is indeed wonderful that so simple a figure as the triangle is so inexhaustible in properties. How many as yet unknown properties of other figures may there not be?" (August Creele, "School Science and Mathematics", 1905)

"Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite. " (Ezra Pound, "The Spirit of Romance", 1910)

"The circle is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in equilibrium. Of the three primary forms [triangle, square, circle], it points most clearly to the fourth dimension." (Wassily Kandinsky, [letter] 1926)

"Nature does not seem full of circles and triangles to the ungeometrical; rather, mastery of the theory of triangles and circles, and later of conic sections, has taught the theorist, the experimenter, the carpenter, and even the artist to find them everywhere, from the heavenly motions to the pose of a Venus." (Clifford Truesdell, "Six Lectures on Modern Natural Philosophy", 1966)

"In our times, geometers are still exploring those new Wonder-lands, partly for the sake of their applications to cosmology and other branches of science but much more for the sheer joy of passing through the looking glass into a land where the familiar lines, planes, triangles, circles, and spheres are seen to behave in strange but precisely determined ways." (Harold S M Coxeter, "Non-Euclidean Geometry", 1969)

"Geometry is the study of form and shape. Our first encounter with it usually involves such figures as triangles, squares, and circles, or solids such as the cube, the cylinder, and the sphere. These objects all have finite dimensions of length, area, and volume - as do most of the objects around us. At first thought, then, the notion of infinity seems quite removed from ordinary geometry. That this is not so can already be seen from the simplest of all geometric figures - the straight line. A line stretches to infinity in both directions, and we may think of it as a means to go 'far out' in a one-dimensional world." (Eli Maor, "To Infinity and Beyond: A Cultural History of the Infinite", 1987)

"Topology is a geometry in which all lengths, angles, and areas can be distorted at will. Thus a triangle can be continuously transformed into a rectangle, the rectangle into a square, the square into a circle, and so on. Similarly, a cube can be transformed into a cylinder, the cylinder into a cone, the cone into a sphere. Because of these continuous transformations, topology is known popularly as 'rubber sheet geometry'. All figures that can be transformed into each other by continuous bending, stretching, and twisting are called 'topologically equivalent'." (Fritjof Capra, "The Systems View of Life: A Unifying Vision", 2014)

"A prime number, which exceeds a multiple of four by unity, is only once the hypotenuse of a right triangle." (Pierre de Fermat)