29 January 2023

On Similarity (1925-1949)

"To apply the category of cause and effect means to find out which parts of nature stand in this relation. Similarly, to apply the gestalt category means to find out which parts of nature belong as parts to functional wholes, to discover their position in these wholes, their degree of relative independence, and the articulation of larger wholes into sub-wholes." (Kurt Koffka, 1931)

"'Schema' refers to an active organisation of past reactions, or of past experiences, which must always be supposed to be operating in any well-adapted organic response. That is, whenever there is any order or regularity of behavior, a particular response is possible only because it is related to other similar responses which have been serially organised, yet which operate, not simply as individual members coming one after another, but as a unitary mass. Determination by schemata is the most fundamental of all the ways in which we can be influenced by reactions and experiences which occurred some time in the past. All incoming impulses of a certain kind, or mode, go together to build up an active, organised setting: visual, auditory, various types of cutaneous impulses and the like, at a relatively low level; all the experiences connected by a common interest: in sport, in literature, history, art, science, philosophy, and so on, on a higher level." (Frederic C Bartlett, "Remembering: A study in experimental and social psychology", 1932)

"A mathematical proof should resemble a simple and clear-cut constellation, not a scattered cluster in the Milky Way." (Godfrey H Hardy, "A Mathematician’s Apology", 1940)

"[…] the major mathematical research acquires an organization and orientation similar to the poetical function which, adjusting by means of metaphor disjunctive elements, displays a structure identical to the sensitive universe. Similarly, by means of its axiomatic or theoretical foundation, mathematics assimilates various doctrines and serves the instructive purpose, the one set up by the unifying moral universe of concepts. " (Dan Barbilian, "The Autobiography of the Scientist", 1940)

"Mathematical research can lend its organisational characteristics to poetry, whereby disjointed metaphors take on a universal sense. Similarly, the axiomatic foundations of group theory can be assimilated into a larger moral concept of a unified universe. Without this, mathematics would be a laborious Barbary." (Dan Barbilian, "The Autobiography of the Scientist", 1940)

"The atomic theory plays a part in physics similar to that of certain auxiliary concepts in mathematics: it is a mathematical model for facilitating the mental reproduction of facts." (Ernst Mach, "The Science of Mechanics" 5th Ed, 1942)

"By a model we thus mean any physical or chemical system which has a similar relation-structure to that of the process it imitates. By ’relation-structure’ I do not mean some obscure non-physical entity which attends the model, but the fact that it is a physical working model which works in the same way as the process it parallels, in the aspects under consideration at any moment." (Kenneth Craik, "The Nature of Explanation", 1943)

"[…] many philosophers have found it difficult to accept the hypothesis that an object is just about what it appears to be, and so is like the mental picture it produces in our minds. For an object and a mental picture are of entirely different natures - a brick and the mental picture of a brick can at best no more resemble one another than an orchestra and a symphony. In any case, there is no compelling reason why phenomena - the mental visions that a mind constructs out of electric currents in a brain - should resemble the objects that produced these currents in the first instance." (James H Jeans," Physics and Philosophy" 3rd Ed., 1943)

"Of course we have still to face the question why these analogies between different mechanisms - these similarities of relation-structure - should exist. To see common principles and simple rules running through such complexity is at first perplexing though intriguing. When, however, we find that the apparently complex objects around us are combinations of a few almost indestructible units, such as electrons, it becomes less perplexing." (Kenneth Craik, "The Nature of Explanation", 1943)

"The pictures we draw of nature show similar limitations; these are the price we pay for limiting our pictures of nature to the kinds that can be understood by our minds. As we cannot draw one perfect picture, we make two imperfect pictures and turn to one or the other according as we want one property or another to be accurately delineated. Our observations tell us which is the right picture to use for each particular purpose […] . Yet some properties of nature are so far-reaching and general that neither picture can depict them properly of itself. In such cases we must appeal to both pictures, and these sometimes give us different and inconsistent information. Where, then, shall we find the truth?" (James H Jeans, "Physics and Philosophy" 3rd Ed., 1943)

"This, however, is very speculative; the point of interest for our present enquiry is that physical reality is built up, apparently, from a few fundamental types of units whose properties determine many of the properties of the most complicated phenomena, and this seems to afford a sufficient explanation of the emergence of analogies between mechanisms and similarities of relation-structure among these combinations without the necessity of any theory of objective universals." (Kenneth Craik, "The Nature of Explanation", 1943)

"Thus there are instances of symbolisation in nature; we use such instances as an aid to thinking; there is evidence of similar mechanisms at work in our own sensory and central nervous systems; and the function of such symbolisation is plain. If the organism carries a ’small-scale model’ of external reality and of its own possible actions within its head, it is able to try out various alternatives, conclude which is the best of them, react to future situations before they arise […]" (Kenneth Craik, "The Nature of Explanation", 1943)

"A material model is the representation of a complex system by a system which is assumed simpler and which is also assumed to have some properties similar to those selected for study in the original complex system. A formal model is a symbolic assertion in logical terms of an idealised relatively simple situation sharing the structural properties of the original factual system." (Arturo Rosenblueth & Norbert Wiener, "The Role of Models in Science", Philosophy of Science Vol. 12 (4), 1945)

"Analogy is a sort of similarity. Similar objects agree with each other in some respect, analogous objects agree in certain relations of their respective parts." (George Pólya, "How to solve it", 1945)

"No substantial part of the universe is so simple that it can be grasped and controlled without abstraction. Abstraction consists in replacing the part of the universe under consideration by a model of similar but simpler structure. Models, formal or intellectual on the one hand, or material on the other, are thus a central necessity of scientific procedure." (Arturo Rosenblueth & Norbert Wiener, "The Role of Models in Science", Philosophy of Science Vol. 12 (4), 1945)

"This whole electric universe is a complex maze of similar tensions. Every particle of matter in the universe is separated from its condition of oneness, just as the return ball is separated from the hand, and each is connected with the other one by an electric thread of light which measures the tension of that separateness." (Walter Russell, "The Secret of Light", 1947)

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