"It is impossible to follow the march of one of the greatest theories of physics, to see it unroll majestically its regular deductions starting from initial hypotheses, to see its consequences represent a multitude of experimental laws down to the smallest detail, without being charmed by the beauty of such a construction, without feeling keenly that such a creation of the human mind is truly a work of art." (Pierre-Maurice-Marie DuhemDuhem, "The Aim and Structure of Physical Theory", 1908)
"What had already been done for music by the end of the eighteenth century has at last been begun for the pictorial arts. Mathematics and physics furnished the means in the form of rules to be followed and to be broken. In the beginning it is wholesome to be concerned with the functions and to disregard the finished form. Studies in algebra, in geometry, in mechanics characterize teaching directed towards the essential and the functional, in contrast to apparent. One learns to look behind the façade, to grasp the root of things. One learns to recognize the undercurrents, the antecedents of the visible. One learns to dig down, to uncover, to find the cause, to analyze." (Paul Klee, "Bauhaus prospectus", 1929)
"Mathematicians who build new spaces and physicists who find them in the universe can profit from the study of pictorial and architectural spaces conceived and built by men of art." (György Kepes, "The New Landscape In Art and Science", 1956)
"A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses." (Harvey Brooks, "Scientific Concepts and Cultural Change", 1965)
"Part of the art and skill of the engineer and of the experimental physicist is to create conditions in which certain events are sure to occur." (Eugene P Wigner, "Symmetries and Reflections", 1979)
"There is nothing as dreamy and poetic, nothing as radical, subversive, and psychedelic, as mathematics. It is every bit as mind blowing as cosmology or physics (mathematicians conceived of black holes long before astronomers actually found any), and allows more freedom of expression than poetry, art, or music (which depends heavily on properties of the physical universe). Mathematics is the purest of the arts, as well as the most misunderstood." (Paul Lockhart, "A Mathematician's Lament", 2009)
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