“A physical law must possess mathematical beauty.” (Paul A M Dirac, 1956)
"Mathematicians study their problems on account of their intrinsic interest, and develop their theories on account of their beauty. History shows that some of these mathematical theories which were developed without any chance of immediate use later on found very important applications." (Karl Menger, "What Is Calculus of Variations and What Are Its Applications?" [James R Newman, "The World of Mathematics" Vol. II], 1956)
“Mathematics are the result of mysterious powers which no one understands, and which the unconscious recognition of beauty must play an important part. Out of an infinity of designs a mathematician chooses one pattern for beauty's sake and pulls it down to earth.” (Marston Morse, 1959)
"Symmetry, as wide or as narrow as you may define its meaning, is one idea by which man through the ages has tried to comprehend and create order, beauty and perfection." (Hermann Weyl, Symmetry, 1952)
“Nowhere is intellectual beauty so deeply felt and fastidiously appreciated in its various grades and qualities as in mathematics, and only the informal appreciation of mathematical value can distinguish what is mathematics from a welter of formally similar, yet altogether trivial statements and operations.” (Michael Polanyi, “Personal Knowledge”, 1962)
“Nowhere is intellectual beauty so deeply felt and fastidiously appreciated in its various grades and qualities as in mathematics, and only the informal appreciation of mathematical value can distinguish what is mathematics from a welter of formally similar, yet altogether trivial statements and operations.” (Michael Polanyi, “Personal Knowledge”, 1962)
"A theory with mathematical beauty is more likely to be correct than an ugly one that fits some experimental data. God is a mathematician of a very high order, and He used very advanced mathematics in constructing the universe." (Paul Dirac, Scientific American, 1963)
“[…] it is more important to have beauty in one's equations that to have them fit experiment. […] It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress.” (Paul Dirac, Scientific American, 1963)
"If some great mathematicians have known how to give lyrical expression to their enthusiasm for the beauty of their science, nobody has suggested examining it as if it were the object of an art - mathematical art - and consequently the subject of a theory of aesthetics, the aesthetics of mathematics (François Le Lionnais, "Great Currents of Mathematical Thought", 1971)
“Mathematics is much more than a language for dealing with the physical world. It is a source of models and abstractions which will enable us to obtain amazing new insights into the way in which nature operates. Indeed, the beauty and elegance of the physical laws themselves are only apparent when expressed in the appropriate mathematical framework.” (Melvin Schwartz, Principles of Electrodynamics, 1972)
“The figures which excite in us the ideas of beauty seem to be those in which there is uniformity amidst variety. […] What we call beautiful in objects, to speak in the mathematical style, seems to be in compound ratio of uniformity and variety: so that where the uniformity of bodies is equal, the beauty is as the variety; and where the variety is equal, the beauty is as the uniformity.” (Francis Hutcheson, “An Inquiry Concerning Beauty, Order, Harmony, Design”, 1973)
“Mathematics are the result of mysterious powers which no one understands, and which the unconscious recognition of beauty must play an important part. Out of an infinity of designs a mathematician chooses one pattern for beauty's sake and pulls it down to earth.” (Marston Morse, 1959)
"Symmetry, as wide or as narrow as you may define its meaning, is one idea by which man through the ages has tried to comprehend and create order, beauty and perfection." (Hermann Weyl, Symmetry, 1952)
“Nowhere is intellectual beauty so deeply felt and fastidiously appreciated in its various grades and qualities as in mathematics, and only the informal appreciation of mathematical value can distinguish what is mathematics from a welter of formally similar, yet altogether trivial statements and operations.” (Michael Polanyi, “Personal Knowledge”, 1962)
“Nowhere is intellectual beauty so deeply felt and fastidiously appreciated in its various grades and qualities as in mathematics, and only the informal appreciation of mathematical value can distinguish what is mathematics from a welter of formally similar, yet altogether trivial statements and operations.” (Michael Polanyi, “Personal Knowledge”, 1962)
"A theory with mathematical beauty is more likely to be correct than an ugly one that fits some experimental data. God is a mathematician of a very high order, and He used very advanced mathematics in constructing the universe." (Paul Dirac, Scientific American, 1963)
“[…] it is more important to have beauty in one's equations that to have them fit experiment. […] It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress.” (Paul Dirac, Scientific American, 1963)
"If some great mathematicians have known how to give lyrical expression to their enthusiasm for the beauty of their science, nobody has suggested examining it as if it were the object of an art - mathematical art - and consequently the subject of a theory of aesthetics, the aesthetics of mathematics (François Le Lionnais, "Great Currents of Mathematical Thought", 1971)
“Mathematics is much more than a language for dealing with the physical world. It is a source of models and abstractions which will enable us to obtain amazing new insights into the way in which nature operates. Indeed, the beauty and elegance of the physical laws themselves are only apparent when expressed in the appropriate mathematical framework.” (Melvin Schwartz, Principles of Electrodynamics, 1972)
“The figures which excite in us the ideas of beauty seem to be those in which there is uniformity amidst variety. […] What we call beautiful in objects, to speak in the mathematical style, seems to be in compound ratio of uniformity and variety: so that where the uniformity of bodies is equal, the beauty is as the variety; and where the variety is equal, the beauty is as the uniformity.” (Francis Hutcheson, “An Inquiry Concerning Beauty, Order, Harmony, Design”, 1973)
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