Mental Models XXI

"You may read any quantity of books, and you may be almost as ignorant as you were at starting, if you don’t have, at the back of your minds, the change for words in definite images which can only be acquired through the operation of your observing faculties on the phenomena of nature." (Thomas H Huxley, "Science and Education", 1877)

"[…] we must have imagination. I do not mean mere fancy, which creates unreal images and impossible monsters, but imagination, the power of making pictures or images in our mind of that which is, though it is invisible to us."  (Arabella B Buckley, "The Fairy-Land of Science", 1899)

"We wish to obtain a representation of phenomena and form an image of them in our minds. Till now, we have always attempted to form these images by means of the ordinary notions of time and space. These notions are perhaps innate; in any case they have been developed by our daily observations. For me, these notions are clear, and I confess that I am unable to gain any idea of physics without them. […] I would like to retain this ideal of other days and describe everything that occurs in this world in terms of clear pictures." (Hendrik A Lorentz, [Fifth Solvay Conference] 1927)

"Just as the eye sees details that are not there if they fit in with the sense of the picture, or overlooks them if they make no sense, so also very little inherent certainty will suffice to secure the highest scientific value to an alleged fact, if only it fits in with a great scientific generalization, while the most stubborn facts will be set aside if there is no place for them in the established framework of science." (Michael Polanyi, "Personal Knowledge", 1962)

"If we are to have meaningful, connected experiences; ones that we can comprehend and reason about; we must be able to discern patterns to our actions, perceptions, and conceptions. Underlying our vast network of interrelated literal meanings (all of those words about objects and actions) are those imaginative structures of understanding such as schema and metaphor, such as the mental imagery that allows us to extrapolate a path, or zoom in on one part of the whole, or zoom out until the trees merge into a forest." (William H Calvin, "The Cerebral Code", 1996)

"The logic of the emotional mind is associative; it takes elements that symbolize a reality, or trigger a memory of it, to be the same as that reality. That is why similes, metaphors and images speak directly to the emotional mind." (Daniel Goleman, "Emotional Intelligence", 1996)

“We start from vague pictures or ideas […] which we encapsulate by rules, and then we discover that those rules persuade us to modify our mental images. We engage in a dialog between our mental images and our ability to justify them via equations. As we understand what we are investigating more clearly, the pictures become sharper and the equations more elaborate. Only at the end of the process does anything like a formal set of axioms followed by logical proofs” (E Brian Davies, “Science in the Looking Glass”, 2003)

“What is consciousness? Our brain simulates reality. So, our everyday experiences are a form of dreaming, which is to say, they are mental models, simulations, not the things they appear to be.” (Stephen LaBerge, “Losi in Lucidity”, 2014)

“A mathematician possesses a mental model of the mathematical entity she works on. This internal mental model is accessible to her direct observation and manipulation. At the same time, it is socially and culturally controlled, to conform to the mathematics community's collective model of the entity in question. The mathematician observes a property of her own internal model of that mathematical entity. Then she must find a recipe, a set of instructions, that enables other competent, qualified mathematicians to observe the corresponding property of their corresponding mental model. That recipe is the proof. It establishes that property of the mathematical entity.” (Reuben Hersh,” Mathematics as an Empirical Phenomenon, Subject to Modeling”, 2017)

“Men of broader intellect know that there is no clear distinction between the real and the unreal, that things appear as they seem only by virtue of the delicate physical and mental instruments through which we perceive them.” (Howard P Lovecraft)