"Number theory is revealed in its entire simplicity and natural beauty when the field of arithmetic is extended to the imaginary numbers" (Carl F Gauss, "Disquisitiones arithmeticae" ["Arithmetical Researches"], 1801)
"At the beginning I would ask anyone who wants to introduce a new function in analysis to clarify whether he intends to confine it to real magnitudes" (real values of the argument) and regard the imaginary values as just vestigial - or whether he subscribes to my fundamental proposition that in the realm of magnitudes the imaginary ones a+b√−1 = a+bi have to be regarded as enjoying equal rights with the real ones. We are not talking about practical utility here; rather analysis is, to my mind, a self-sufficient science. It would lose immeasurably in beauty and symmetry from the rejection of any fictive magnitudes. At each stage truths, which otherwise are quite generally valid, would have to be encumbered with all sorts of qualifications." (Carl F Gauss, [letter to Bessel] 1811)
"It is characteristic of higher arithmetic that many of its most beautiful theorems can be discovered by induction with the greatest of ease but have proofs that lie anywhere but near at hand and are often found only after many fruitless investigations with the aid of deep analysis and lucky combinations." (Carl Friedrich Gauss, 1817)
"The Combinatorial Analysis is a branch of mathematics which teaches us to ascertain and exhibit all the possible ways in which a given number of things may be associated and mixed together; so that we may be certain that we have not missed any collection or arrangement of these things, that has not been enumerated. [...] Besides its uses in mathematical investigations, it not only enables us to form our ideas of the elegant compositions of design, but to contemplate the prodigious variety which constitutes the beauties of nature, and which arises from the combinations of objects, by their number, forms, color, and positions. It has a relation to every species of useful knowledge upon which the mind of man can be employed." (Peter Nicholson, "Essays on the Combinatorial Analysis", 1818)
"By the word symmetry […] one thinks of an external relationship between pleasing parts of a whole; mostly the word is used to refer to parts arranged regularly against one another around a centre. We have […] observed [these parts] one after the other, not always like following like, but rather a raising up from below, a strength out of weakness, a beauty out of ordinariness." (Johann Wolfgang von Goethe, "Zur Naturwissenschaft überhaupt, besonders zur Morphologie", 1820)
"In science, reason is the guide; in poetry, taste. The object of the one is truth, which is uniform and indivisible; the object of the other is beauty, which is multiform and varied." (Charles C Colton,"Lacon", 1820)
"The mathematician is perfect only in so far as he is a perfect man, in so far as he senses in himself the beauty of truth; only then will his work be thorough, transparent, prudent, pure, clear, graceful, indeed elegant." (Johann Wolfgang von Goethe, 1829)
"Beauty cannot be defined by abscissas and ordinates; neither are circles and ellipses created by their geometrical formulas." (Carl von Clausewitz, "On War", 1832)
"Nature builds up by her refined and invisible architecture, with a delicacy eluding our conception, yet with a symmetry and beauty which we are never weary of admiring." (Sir John F W Herschel, "The Cabinet of Natural Philosophy", 1831)
"A mathematician is only perfect insofar as he is a perfect man, sensitive to the beauty of truth." (Johann Wolfgang von Goethe, "Maxims and Reflections", 1833)
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