24 August 2026

🪷On Mind: On Perception (1940-1949)

"In perception, a knowledge forms itself slowly; in the [mental] image the knowledge is immediate. We see now that the image is a synthetic act which unites a concrete, nonimagined, knowledge to elements which are more actually representative. The image teaches nothing: it is organized exactly like the objects which do produce knowledge, but it is complete at the very moment of its appearance. […] Thus, the object presents itself in the image as having to be apprehended in a multiplicity of synthetic acts. Due to this fact, and because its content retains a sensible opacity, like a phantom, because it does not involve either essences or generating laws but only an irrational quality, it gives the impression of being an object of observation: from this point of view the image appears to be more like a perception than a concept." (Jean-Paul Sartre,"The Psychology of Imagination", 1940

"Thus, the object presents itself in the image as having to be apprehended in a multiplicity of synthetic acts. Due to this fact, and because its content retains a sensible opacity, like a phantom, because it does not involve either essences or generating laws but only an irrational quality, it gives the impression of being an object of observation: from this point of view the image appears to be more like a perception than a concept." (Jean-Paul Sartre, "The Psychology of Imagination", 1940)

"Classes and concepts may, however, also be conceived as real objects, namely classes as 'pluralities of things' or as structures consisting of a plurality of things and concepts as the properties and relations of things existing independently of our definitions and constructions. It seems to me that the assumption of such objects is quite as legitimate as the assumption of physical bodies and there is quite as much reason to believe in their existence. They are in the same sense necessary to obtain a satisfactory system of mathematics as physical bodies are necessary for a satisfactory theory of our sense perceptions." (Kurt Gödel, "The Philosophy of Bertrand Russell", 1944)

"But, despite their remoteness from sense experience, we do have something like a perception of the objects of set theory, as is seen from the fact that the axioms force themselves upon us as being true. I don't see any reason why we should have less confidence in this kind of perception, i.e., in mathematical intuition, than in sense perception, which induces us to build up physical theories and to expect that future sense perception will agree with them and, moreover, to believe that a question not decidable now has meaning and may be decided in future." (Kurt Gödel, "What is Cantor’s Continuum problem?", American Mathematical Monthly 54, 1947)

"What now is the answer to the question as to the bridge between the perception of the senses and the concepts, which is now reduced to the question as to the bridge between the outer perceptions and those inner image-like representations. It seems to me one has to postulate a cosmic order of nature - outside of our arbitrariness- to which the outer material objects are subjected as are the inner images […] The organizing and regulating has to be posited beyond the differentiation of physical and psychical […] I am all for it to call this ‘organizing and regulating’ ‘archetypes’. It would then be inadmissible to define these as psychic contents. Rather, the above-mentioned inner pictures" (dominants of the collective unconscious, see Jung) are the psychic manifestations of the archetypes, but which would have to produce and condition all nature laws belonging to the world of matter. The nature laws of matter would then be the physical manifestation of the archetypes." (Wolfgang Pauli, [Letter to Markus Fierz], 1948)

"When one analyzes the pre-conscious step to concepts, one always finds ideas which consist of 'symbolic images.' The first step to thinking is a painted vision of these inner pictures whose origin cannot be reduced only and firstly to the sensual perception but which are produced by an 'instinct to imagining' and which are re-produced by different individuals independently, i. e. collectively [...] But the archaic image is also the necessary predisposition and the source of a scientific attitude. To a total recognition belong also those images out of which have grown the rational concepts." (Wolfgang Pauli, [letter to Markus Fierz] 1948)

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🪷On Mind: On Perception (1940-1949)

"In perception, a knowledge forms itself slowly; in the [mental] image the knowledge is immediate. We see now that the image is a synth...