"Geometry existed before the creation. It is co-eternal with the mind of God. It is God himself. Where there is matter there is geometry. [...] It is absolutely necessary that the work of such a creator be of the greatest beauty [...]" (Johannes Kepler, "The Mystery of the Cosmos", 1596)
"Mathematics make the mind attentive to the objects which it considers. This they do by entertaining it with a great variety of truths, which are delightful and evident, but not obvious. Truth is the same thing to the understanding as music to the ear and beauty to the eye. The pursuit of it does really as much gratify a natural faculty implanted in us by our wise Creator as the pleasing of our senses: only in the former case, as the object and faculty are more spiritual, the delight is more pure, free from regret, turpitude, lassitude, and intemperance that commonly attend sensual pleasures." (John Arbuthnot, "An Essay on the Usefulness of Mathematical Learning", 1701)
“It is easy to perceive that the prodigious variety which appears both in the works of nature and in the actions of men, and which constitutes the greatest part of the beauty of the universe, is owing to the multitude of different ways in which its several parts are mixed with, or placed near, each other. But, because the number of causes that concur in producing a given event, or effect, is oftentimes so immensely great, and the causes themselves are so different one from another, that it is extremely difficult to reckon up all the different ways in which they may be arranged, or combined together, it often happens that men, even of the best understandings and the greatest circumspection, ale guilty of that fault in reasoning which the writers on logic call the insufficient, or imperfect enumeration of parts, or cases: insomuch that I will venture to assert, that this is the chief, and almost the only, source of the vast number of erroneous opinions, and those too very often in matters of great importance, which we are apt to form on all the subjects we reflect upon, whether they relate to the knowledge of nature, or the merits and motives of human actions. It must therefore be acknowledged, that that art which affords a cure to this weakness, or defect, of our understandings, and teaches us so to enumerate all the possible ways in which a given number of things may be mixed and combined together, that we may be certain that we have not omitted any one arrangement of them that can lead to the object of our inquiry, deserves to be considered as most eminently useful and worthy of our highest esteem and attention. And this is the business of the art, or doctrine of combinations.” (Jakob Bernoulli, “Ars Conjectandi” [“The Art of Conjecturing”], 1713)
"A strong curiosity has prompted men in all times to study nature; every useful art has some connexion with the science; and the unexhausted beauty and variety of things makes it ever agreeable, new and surprising." (Colin Maclaurin, "An Account of Sir Isaac Newton’s Philosophical Discoveries", 1748)
"Beauty has in art the same foundation as does truth in philosophy. What is the truth? The conformity of our judgements with beings. What is the beauty of imitation? The conformity of the image with the thing." (Denis Diderot, "Entretiens sur le fils naturel", 1757)
"The knowledge of mechanics is one of those things that contribute to distinguish civilized nations from barbarians. From it the works of art derive much of their beauty and value; without it we can make very little progress in the knowledge of the works of nature. By this science we are enabled to improve every power and force in nature, and render the motions of the elements water, air, and fi re, subservient to the purposes of life." (George Adams, "Lectures on Natural and Experimental Philosophy" Vol. 3, 1794)
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