"There is a kind, I might almost say, of artistic satisfaction, when we are able to survey the enormous wealth of Nature as a regularly ordered whole - a kosmos, an image of the logical thought of our own mind." (Hermann von Helmholtz. "On the Conservation of Force", 1862)
"Thus representations of the external world are images of the lawlike temporal succession of natural events, and if they are correctly formed in accordance with the laws of our thinking, and we are able correctly to translate them back again into actuality through our actions, then the representations that we have are also the uniquely true [ones] for our faculty of thought; all others would be false." (Hermann von Helmholtz, "Handbuch der physiologischen Optik" Vol. 3, 1867)
"For of an image one requires some kind of sameness with the pictured object, of a statue sameness of form, of a delineation sameness of perspective projection in the visual field, of a painting also sameness of color." (Heinrich Hertz, "The Facts in Perception", 1878)
"[...] the task of the theory consists in constructing a picture of the external world that exists purely internally and must be our guiding star in all thought and experiment; that is in completing, as it were, the thinking process and carrying out globally what on a small scale occurs within us whenever we form an idea.” (Ludwig E Boltzmann, “On the Significance of Theories”, 1890)
“We form ourselves images or symbols of external objects; and the form which we give them is such that the necessary consequents of the images in thought are always the images of the necessary consequents in nature of the things pictured." (Heinrich Hertz," Die Prinzipien der Mechanik in neuem Zusammenhange dargestellt", 1894)
"An icon is a representamen of what it represents and for the mind that interprets it as such, by virtue of its being an immediate image, that is to say by virtue of characters which belong to it in itself as a sensible object, and which it would possess just the same were there no object in nature that it resembled, and though it never were interpreted as a sign. It is of the nature of an appearance, and as such, strictly speaking, exists only in consciousness, although for convenience in ordinary parlance and when extreme precision is not called for, we extend the term icon to the outward objects which excite in consciousness the image itself." (Charles S Peirce, “On Existential Graphs, Euler's Diagrams, and Logical”, 1903)
“Deduction is that mode of reasoning which examines the state of things asserted in the premises, forms a diagram of that state of things, perceives in the parts of the diagram relations not explicitly mentioned in the premises, satisfies itself by mental experiments upon the diagram that these relations would always subsist, or at least would do so in a certain proportion of cases, and concludes their necessary, or probable, truth.” (Charles S Peirce, “Kinds of Reasoning”, cca. 1896)
"Intellectual work is an act of creation. It is as if the mental image that is studied over a period of time were to sprout appendages like an ameba - outgrowths that extend in all directions while avoiding one obstacle after another - before interdigitating with related ideas." (Santiago Ramón y Cajal, "Reglas y Consejos sobre Investigacíon Cientifica: Los tónicos de la voluntad", 1897)
“We imagine cases, place mental diagrams before our mind's eye, and multiply these cases, until a habit is formed of expecting that always to turn out the case, which has been seen to be the result in all the diagrams. To appeal to such a habit is a very different thing from appealing to any immediate instinct of rationality. That the process of forming a habit of reasoning by the use of diagrams is often performed there is no room for doubt. It is perfectly open to consciousness.” (Charles S Peirce, “Fallibility of Reasoning and the Feeling of Rationality”, cca. 1902)
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