On Literature: On Poets (From Fiction to Science-Fiction)

"We are not concerned with the very poor. They are unthinkable, and only to be appreciated by the statistician or the poet." (Edward M Forster, "Howards End", 1910)

"To be so closely caught up in the teeth of things that they kill you, no matter how infinitesimally kill you, is, truly, to be a poet: and to be a poet in fact it is additionally necessary that you should possess the tongues and instruments with which to record this series of infinitesimal deaths." (George Barker,"Therefore All Poems Are Elegies", 1940)

"You know how one feels about history, the glamour of the past; I expected to hear everybody talking about great events - battles, poets, that kind of thing - but of course you don’t. You just squabble among yourselves." (Gore Vidal, "Visit to a Small Planet", [revised, play] 1957)

"I might well retort that many men on Earth have had the presentiment of a! superior being who may one day succeed them but that no scientist, philosopher, or poet  has ever imagined this superhuman in the guise of an ape." (Pierre Boulle, "Planet of the Apes", 1963)

"That perfected machines may one day succeed us is, I remember, an extremely commonplace notion on Earth. It prevails not only among poets and romantics but in all classes of society. Perhaps it is because it is so widespread, born spontaneously in popular imagination, that it irritates scientific minds. Perhaps it is also for this very reason that it contains a germ of truth. Only a germ: Machines will always be machines; the most perfected robot, always a robot." (Pierre Boulle, "Planet of the Apes", 1963)

"Love is not, as some poets say, a raging brush fire, but a hearthfire, which burns hotly, it is true, but in order to warm the cold sea-caves of the heart and light its pools with anemones of radiance." (Thomas B Swann, "Day of the Minotaur", 1966)

"Myths are not fiction, but history seen with a poet’s eyes and recounted in a poet’s terms." (Frank Herbert & Bill Ransom, "The Jesus Incident", 1979)

"If poets are the unacknowledged legislators of the world, science-fiction writers are its court jesters." (Bruce Sterling, "Burning Chrome", [preface] 1986)

"People who plan roads, bridges, sewers, and so forth are called civil engineers. Civilization happens in cities, where civil society is possible, because of civil engineers. Cities are fed by roads, drained by sewers, watered by pipes that they lay down. There have been barbarian poets and composers, even painters and some lawyers, but never a barbarian civil engineer. You have to be civilized to care about roads." (John Barnes, "My Advice to the Civilized", 1990)

"People reach their peak ability as military commanders much earlier than we thought. Most of them in their late teens. The same age when poets do their most passionate and revolutionary work. And mathematicians. They peak, and then it falls off. They coast on what they learned back when they were still young enough to learn." (Orson Scott Card, "First Meetings in Ender's Universe", 2002)

James G Ballard - Collected Quotes

"A few moments earlier the water had seemed cool and inviting, but now had become a closed world, the barrier of the surface like a plane between two dimensions." (James G Ballard, "The Drowned World", 1962)

"However selective the conscious mind may be, most biological memories are unpleasant ones, echoes of danger and terror. Nothing endures for so long as fear." (James G Ballard, "The Drowned World", 1962)

"Speculative fantasy, as I prefer to call the more serious fringe of science fiction, is an especially potent method of using one’s imagination to construct a paradoxical universe where dream and reality become fused together, each retaining its own distinctive quality and yet in some way assuming the role of its opposite, and where by an undeniable logic black simultaneously becomes white." (James G Ballard, "Time, Memory, and Inner Space’", 1963)

"It marked the beginning of the giant’s surrender to that all-demanding system of time in which the rest of humanity finds itself, and of which, like the million twisted ripples of a fragmented whirlpool, our finite lives are the concluding products." (James G Ballard, "The Drowned Giant", 1965)

"Our lives today are not conducted in linear terms. They are much more quantified; a stream of random events is taking place." (James G Ballard, [Conversation with George MacBeth on Third Programme - BBC], 1967)

"Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century." (James G Ballard, "Fictions of Every Kind", 1971)

"The role of the writer today has totally changed - he is now merely one of a huge army of people filling the environment with fictions of every kind. To survive, he must become far more analytic, approaching his subject matter like a scientist or engineer. If he is to produce fiction at all, he must outimagine everyone else, scream louder, whisper more quietly. For the first time in the history of narrative fiction, it will require more than talent to become a writer." (James G Ballard, "Fictions of Every Kind", 1971)

"Even the vagal flushes that seized at my chest seemed extensions of that real world of violence calmed and tamed within our television programmes and the pages of news magazines." (James G Ballard, "Crash", 1973)

"The catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness." (James G Ballard, "Cataclysms and Dooms" 1977)

"I would sum up my fear about the future in one word: boring. And that’s my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again [...] the future is just going to be a vast, conforming suburb of the soul." (James G Ballard, Re/Search 8–9, [interview with Andrea Juno and V. Vale], 1984)

On Literature: On Poetry (From Fiction to Science-Fiction)

"For true poetry, complete poetry, consists in the harmony of contraries. Hence, it is time to say aloud - and it is here above all that exceptions prove the rule - that everything that exists in nature exists in art." (Victor Hugo, "Dramas", 1896)

"I wondered at the ancients who had never realized the utter absurdity of their literature and poetry. The enormous, magnificent power of the literary word was completely wasted. It’s simply ridiculous - everyone wrote anything he pleased." (Yevgeny Zamiatin, "We", 1924)

"At the final stage you teach me that this wondrous and multicolored universe can be reduced to the atom and that the atom itself can be reduced to the electron. All this is good and I wait for you to continue. But you tell me of an invisible planetary system in which electrons gravitate around a nucleus. You explain this world to me with an image. I realize then that you have been reduced to poetry: I shall never know. Have I the time to become indignant? You have already changed theories. So that science that was to teach me everything ends up in a hypothesis, that lucidity founders in metaphor, that uncertainty is resolved in a work of art." (Albert Camus, "The Myth of Sisyphus", 1942)

"We have heard much about the poetry of mathematics, but very little of it has as yet been sung. The ancients had a juster notion of their poetic value than we. The most distinct and beautiful statements of any truth must take at last the mathematical form. We might so simplify the rules of moral philosophy, as well as of arithmetic, that one formula would express them both." (Henry D Thoreau, "A Week on the Concord and Merrimac Rivers", 1849)

"Escape, God how we all need escape from this tiny here. The need for it has motivated just about everything man has ever done in any direction other than that of the satisfaction of his physical appetites; it has led him along weird and wonderful pathways; it has led him into art and religion, ascetism Exploration and Adventure [sic] and astrology, dancing and drinking, poetry and insanity. All of these have been escapes because he has known only recently the true direction of escape - outward, into infinity and eternity, away from this little flat if rounded surface we’re born on and die on. This mote in the solar system, this atom in the galaxy." (Fredric Brown, "The Lights in the Sky Are Stars", 1953)

"We see the universe as it is, Father Damien, and these naked truths are cruel ones. We who believe in life, and treasure it, will die. Afterward there will be nothing, eternal emptiness, blackness, nonexistence. In our living there has been no purpose, no poetry, no meaning. Nor do our deaths possess these qualities. When we are gone, the universe will not long remember us, and shortly it will be as if we had never lived at all. Our worlds and our universe will not long outlive us. Ultimately entropy will consume all, and our puny efforts cannot stay that awful end." (George R R Martin, "The Way of Cross and Dragon", 1979)

"Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever. You can go not only into the future, but into that wonderful place called "other", which is simply another universe, another planet, another species." (Theodore Sturgeon)

On Literature: On Memory (From Fiction to Science-Fiction)

"Some dreams I have had in this cottage seem to give strength to the opinion that there is a psychic memory attached to certain neighbourhoods." (John M Synge, "The Aran Islands", 1907)

"Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time." (Howard P Lovecraft, "The White Ship", 1919)

*Other memories encroached, cold, fear-etched memories that reached forhim like taloned, withered claws. Memories of alien lands acrawl with loathesomeness and venom. Strange planets that were strange not because they were alien, but because of the abysmal terror in the very souls of them. Memories of shambling things that triumphed over pitiful peoples whose only crime was they could not fight back." (Clifford D Simak, "Shadow of Life", 1943)

"Memory is not a passive filing cabinet, but a continuous process beneath the level of consciousness; in a way, you are always reliving your entire past." (Poul Anderson, "Journeys End", 1957)

"However selective the conscious mind may be, most biological memories are unpleasant ones, echoes of danger and terror. Nothing endures for so long as fear." (James G Ballard, "The Drowned World", 1962)

"In the language of cybernetics, maintaining reactions can be outlined as follows: the sensing material receives information about the external environment in the form of coded signals. This information is reprocessed and sent in the form of new signals through defined channels, or networks. This new information brings about an internal reorganization of the system which contributes to the preservation of its integrity. The mechanism which reprocesses the information is called the control system. It consists of a vast number of input and output elements, connected by channels through which the signals are transmitted. The information can be stored in a recall or memory system, which may consist of separate elements, each of which can be in one of several stable states. The particular state of the element varies, under the influence of the input signals. When a number of such elements are in certain specified states, information is, in effect, recorded in the form of a text of finite length, using an alphabet with a finite number of characters. These processes underlie contemporary electronic computing machines and are, in a number of respects, strongly analogous to biological memory systems." (Carl Sagan, "Intelligent Life in the Universe", 1966)

"History has limited use, she knew, since memory distorts." (Suzy M Charnas, "The Unicorn Tapestry’", 1980)

"Memory never recaptures reality. Memory reconstructs. All reconstructions change the original, becoming external frames of reference that inevitably fall short." (Frank Herbert, "Heretics of Dune", 1983)

"Some things you teach yourself to remember to forget." (William Gibson, "Count Zero", 1986)

"Do not look for revelations in the ancient ruins. You will find here only what you bring: bits of memory, wisps of the past as thin as clouds in the summer, fragments of stone that are carved with symbols that sometimes almost make sense." (Pat Murphy," The Falling Woman"1986)

"We live forever, we transform ourselves, we transform worlds, solar systems, we ship across interstellar space, we defy time and deny death, but the one thing we cannot recreate is memory, he thought." (Ian MacDonald, "The Days of Solomon Gursky", 1998)

On Literature: On Consciousness (From Fiction to Science-Fiction)

"Experience is never limited and it is never complete; it is an immense sensibility, a kind of huge spider-web, of the finest silken threads, suspended in the chamber of consciousness and catching every air-borne particle in its tissue." (Henry James, "The Art of Fiction", 1884)

"Some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it." (Herbert G Wells, "The Time Machine: An Invention", 1895

"A lot of human thinking occurred beneath the level of consciousness, downin the darker regions of the mind where it was not allowed to become conscious lest it bring shame to the thinker. And perhaps he had reasoned it all out in that mental half-world where thoughts are inner ghosts, haunting the possessed man with vague stirrings of uneasiness, leading him into inexplicable behavior." (Walter M. Miller Jr, "Way of a Rebel" 1954)

"Memory is not a passive filing cabinet, but a continuous process beneath the level of consciousness; in a way, you are always reliving your entire past." (Poul Anderson, "Journeys End", 1957)

"The mind can go either direction under stress - toward positive or toward negative: on or off. Think of it as a spectrum whose extremes are unconsciousness at the negative end and hyperconsciousness at the positive end. The way the mind will lean under stress is strongly influenced by training." (Frank Herbert, "Dune", 1965)

"In sleep, fantasy takes the form of dreams. But in waking life, too, we continue to dream beneath the threshold of consciousness, especially when under the influence of repressed or other unconscious complexes." (Carl Jung, "The practice of psychotherapy", 1966)

"If the passage of time is a feature of human consciousness, past and future are

functions of the mind." (Ursula K Le Guin, "The Dispossessed: An Ambiguous Utopia" 1974)

"The vector equilibrium is the true zero reference of the energetic mathematics. Zero pulsation in the vector equilibrium is the nearest approach we will ever know to eternity and god: the zero phase of conceptual integrity inherent in the positive and negative asymmetries that propagate the differentials of consciousness." (Buckminster Fuller, "Synergetics: Explorations in the Geometry of Thinking", 1975)

"The catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness." (James G Ballard, "Cataclysms and Dooms" 1977)

"We are not lords of the universe. We’re one small part of it. We may be its consciousness, but being the consciousness of the universe does not mean turning it all into a mirror image of us. It means rather fitting into it as it is, and worshiping it with our attention." (Kim S Robinson, "Red Mars", 1992)

On Literature: On History (From Fiction to Science-Fiction)

"A modern branch of mathematics, having achieved the art of dealing with the infinitely small, can now yield solutions in other more complex problems of motion, which used to appear insoluble. This modern branch of mathematics, unknown to the ancients, when dealing with problems of motion, admits the conception of the infinitely small, and so conforms to the chief condition of motion (absolute continuity) and thereby corrects the inevitable error which the human mind cannot avoid when dealing with separate elements of motion instead of examining continuous motion. In seeking the laws of historical movement just the same thing happens. The movement of humanity, arising as it does from innumerable human wills, is continuous. To understand the laws of this continuous movement is the aim of history." (Lev N Tolstoy, "War and Peace", 1867)

"Only by taking infinitesimally small units for observation (the differential of history, that is, the individual tendencies of men) and attaining to the art of integrating them (that is, finding the sum of these infinitesimals) can we hope to arrive at the laws of history." (Lev N Tolstoy, "War and Peace", 1867)

"The entire history of mankind, insofar as we know it, is the history of transition from nomadic to increasingly settled forms of existence. And does it not follow that the most settled form (ours) is at the same time the most perfect (ours)?" (Yevgeny Zamiatin, "We", 1924)

"At least half of mankind [...] still makes an unconscious equation in its thinking, and assumes that change - any sort of change - is identical with progress. It is not so; and any student of the course of evolutionary history on Terra could tell you of change which has been regressive, change which has led to an ultimately fatal specialization, change which has been overadaptation to an ecological niche which no longer existed, or did not yet exist." (Margaret St. Clair, "Agent of the Unknown", 1952)

"The aim of science is to discover and illuminate truth. And that, I take it, is the aim of literature, whether biography or history or fiction. It seems to me, then, that there can be no separate literature of science." (Rachel Carson, [acceptance speech of the National Book Award for Nonfiction] 1952) 

"No culture as yet has actually forgotten history because no culture has really possessed more than fragments of it." (Edgar Pangborn, "Mount Charity", 1971)

"What are the facts? Again and again and again - what are the facts? Shun wishful thinking, ignore divine revelation, forget what ‘the stars foretell,’ avoid opinion, care not what the neighbors think, never mind the unguessable ‘verdict of history', - what are the facts, and to how many decimal places? You pilot always into an unknown future; facts are your only clue. Get the facts!" (Robert A Heinlein, "Time Enough for Love", 1973)

"All fiction is metaphor. Science fiction is metaphor. What sets it apart from older forms of fiction seems to be its use of new metaphors, drawn from certain great dominants of our contemporary life - science, all the sciences, and technology, and the relativistic and the historical outlook, among them. Space travel is one of these metaphors; so is an alternative society, an alternative biology; the future is another." (Ursula K Le Guin, "The Left Hand of Darkness", [introduction] 1976)

"Time is no longer a line along which history, past or future, lies neatly arranged, but a field of great mystery and complexity, in the contemplation of which the mind perceives an immense terror, and an indestructible hope." (Ursula K Le Guin, 1977)

"Myths are not fiction, but history seen with a poet’s eyes and recounted in a poet’s terms." (Frank Herbert & Bill Ransom, "The Jesus Incident", 1979)

"History has limited use, she knew, since memory distorts." (Suzy M Charnas, "The Unicorn Tapestry’", 1980)

"History is a constant race between invention and catastrophe." (Frank Herbert, "God Emperor of Dune", 1984)

"As all historians know, the past is a great darkness, and filled with echoes. Voices may reach us from it; but what they say to us is imbued with the obscurity of the matrix out of which they come; and, try as we may, we cannot always decipher them precisely in the clearer light of our own day." (Margaret Atwood, "The Handmaid’s Tale", 1986)

"History too has an inertia. In the four dimensions of spacetime, particles (or events) have directionality; mathematicians, trying to show this, draw what they call 'world lines' on graphs. In human affairs, individual world lines form a thick tangle, curling out of the darkness of prehistory and stretching through time: a cable the size of Earth itself, spiraling round the sun on a long curved course. That cable of tangled world lines is history. Seeing where it has been, it is clear where it is going - it is a matter of simple extrapolation." (Kim S Robinson, "Red Mars", 1992)

"History has no laws, and all patterns that we find there are useful illusions." (Orson Scott Card, "Children of the Mind", 1996)

"There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables." (Chuck Palahniuk, "Survivor", 1999)

"You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history." (Iain Banks, "The Steep Approach to Garbadale", 2007)

"A simple proof. If time travel is - or ever will be - possible, where are the time travelers? Every moment of history should be mobbed with them, so where are they?" (Peter Clines, "The End of the Experiment", [in J W Schnarrv (ed), "Timelines"] 2010)

"Culture is acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit." (Matthew Arnold)

On Literature: On Surfaces (From Fiction to Science-Fiction)

"In Science, all tends to stir, to change, to form fresh surfaces. All denies, destroys, creates, replaces all. What was ground yesterday is put into the hopper again today. The colossal machine, Science, never rests. It is never satisfied; it is insatiable for improvement, of which the absolute knows nothing." (Victor Hugo, "William Shakespeare", 1864)

"Phenomena may well be suspected of anything, are capable of anything. Hypothesis proclaims the infinite; that is what gives hypothesis its greatness. Beneath the surface fact it seeks the real fact. It asks creation for her thoughts, and then for her second thoughts. The great scientific discoverers are those who hold nature suspect." (Victor Hugo, "The Toilers of the Sea", 1866)

"Paradox is the poisonous flower of quietism, the iridescent surface of the rotting mind, the greatest depravity of all." (Thomas Mann,"The Magic Mountain", 1924)

"Escape, God how we all need escape from this tiny here. The need for it has motivated just about everything man has ever done in any direction other than that of the satisfaction of his physical appetites; it has led him along weird and wonderful pathways; it has led him into art and religion, ascetism Exploration and Adventure [sic] and astrology, dancing and drinking, poetry and insanity. All of these have been escapes because he has known only recently the true direction of escape - outward, into infinity and eternity, away from this little flat if rounded surface we’re born on and die on. This mote in the solar system, this atom in the galaxy." (Fredric Brown, "The Lights in the Sky Are Stars", 1953)

"A few moments earlier the water had seemed cool and inviting, but now had become a closed world, the barrier of the surface like a plane between two dimensions." (James G Ballard, "The Drowned World", 1962)

"The present, as every schoolboy knows, is only the surface of the space-time sea, and a living spacewhale can dive beneath this surface and sojourn in times past, can return, if it so desires, to the primordial moment when the cosmos was born." (Robert F Young, "Starscape with Frieze of Dreams", 1970)

"'It bedevils me sometimes why I am the only one to notice the analogy between historical geology and depth psychology', Terrence Burdock mused as they grew lightly profound around the campfire. 'The isostatic principle applies to the mind and the under-mind as well as it does to the surface and? undersurface of the earth. The mind has its erosions and weatherings going on along with its deposits and accumulations. It also has its upthrusts and its stresses. It floats on a similar magma. In extreme cases it has its volcanic eruptions and its mountain building.'" (Raphael A Lafferty, "Continued on Next Rock", 1970)

On Literature: On Information (From Fiction to Science-Fiction

"What is called science today consists of a haphazard heap of information, united by nothing, often utterly unnecessary, and not only failing to present one unquestionable truth, but as often as not containing the grossest errors, today put forward as truths, and tomorrow overthrown." (Leo Tolstoy, "What Is Art?", 1897)

"The more complex a civilization, the more vital to its existence is the maintenance of the flow of information; hence the more vulnerable it becomes to any disturbance in that flow." (Stanislaw Lem, "Memoirs Found in a Bathtub", 1961)

"A scientist can not be measured quantitatively by the number of degrees or the accumulation of information. A true scientist should have a measure of courage to correct error and seek truth - no matter how painful. The alternative is more painful. To build error upon error is to drift into dogmas, metaphysics, science fiction, and mythology." (Alexander Wilf, "Origin and Destiny of the Moral Species", 1969)

"When action grows unprofitable, gather information; when information grows unprofitable, sleep". (Ursula K. Le Guin, "The Left Hand of Darkness", 1969)

"You can understand why a system would seek information - but why in hell does it offer information? Why do we strive to be understood? Why is a refusal to accept communication so painful?" (James Tiptree Jr, "Ten Thousand Light-Years From Home", 1973)

"Any information system of sufficient complexity will inevitably become infected with viruses - viruses generated from within itself." (Neal Stephenson, "Snow Crash", 1992)

"He had long since learned that when something unusual was going on, he would often find out more information faster by waiting than by asking." (Orson Scott Card, "First Meetings in Ender's Universe", 2002)

"Human evolution is driven by community needs […]. How is that possible, since genetic information is passed only by and to individuals?" (Orson Scott Card, "First Meetings in Ender's Universe", 2002)

"Well, all information looks like noise until you break the code." (Neal Stephenson, "Snow Crash", 2003)

"[…] that’s what science was - the sharing of information, the pooling of knowledge. (Orson Scott Card, "Ender in Exile", 2008)

"The absence of information is information.” (Orson Scott Card, "Ender in Exile", 2008)

"The process of thinking itself requires us to view the universe in the direction of entropy, since an abstraction always involves information loss, since symbols 'abstract' complexity from observed objects." (John C Wright, "Awake in the Night Land", 2014)

On Literature: On Wisdom (From Fiction to Science-Fiction)

"The law is the last result of human wisdom acting upon human experience for the benefit of the public." (Samuel Johnson [in Hesther L Piozzi’s "Anecdotes of the late Samuel Johnson, LL.D", 1786])

"The highest wisdom has but one science - the science of the whole-the science explaining the whole creation and man's place in it." (Lev N Tolstoy, "War and Peace', 1867)

"Real wisdom is not the knowledge of everything, but the knowledge of which things in life are necessary, which are less necessary, and which are completely unnecessary to know." (Lev N Tolstoy, "A Calendar of Wisdom", 1910)

"Oh, great, divinely bounding wisdom of walls and barriers! They are, perhaps, the greatest of man’s inventions. Man ceased to be a wild animal only when he built the first wall." (Yevgeny Zamiatin, "We", 1924)

"Men who know themselves are no longer fools. They stand on the threshold of the door of Wisdom." (Havelock Ellis, Impressions & Comments, 1930)

"There is in life an element of elfin coincidence which people reckoning on the prosaic may perpetually miss. As it has been well expressed in the paradox of Poe, wisdom should reason on the unforeseen." (Gilbert K Chesterton, "The Father Brown omnibus", 1951)

"Sometimes one must try anything, he decided. It is no disgrace. On the contrary, it is a sign of wisdom, of recognizing the situation." (Philip K Dick, "The Man in the High Castle", 1962)

"Polish comes from the cities; wisdom from the desert." (Frank Herbert, "Dune", 1965

"These dwarfs amass knowledge as others do treasure; for this reason they are called Hoarders of the Absolute. Their wisdom lies in the fact that they collect knowledge but never use it." (Stanislaw Lem, "How Erg the Self-Inducing Slew a Paleface", 1965)

"If everything, everything were known, statistical estimates would be unnecessary. The science of probability gives mathematical expression to our ignorance, not to our wisdom." (Samuel R Delany, "Time Considered as a Helix of Semi-Precious Stones", 1969)

"We take foul medicines to improve our health; so we must entertain foul thoughts on occasion, to strengthen wisdom." (Brian W Aldiss, "The Small Stones of Tu Fu", 1978)

"Science in the service of humanity is technology, but lack of wisdom may make the service harmful." (Isaac Asimov, "Isaac Asimov’s Book of Science and Nature Quotations", 1988)

"What is all your studying worth, all your learning, all your knowledge, if it doesn't lead to wisdom? And what's wisdom but knowing what is right, and what is the right thing to do?" (Iain Banks, "Use of Weapons", 1990)

Viktor Schauberger - Collected Quotes

"In Nature all life is a question of the minutest, but extremely precisely graduated differences in the particular thermal motion within every single body, which continually changes in rhythm with the processes of pulsation. This unique law, which manifests itself throughout Nature's vastness and unity and expresses itself in every creature and organism, is the 'law of ceaseless cycles' that in every organism is linked to a certain time span and a particular tempo. The slightest disturbance of this harmony can lead to the most disastrous consequences for the major life forms. In order to preserve this state of equilibrium, it is vital that the characteristic inner temperature of each of the millions of micro-organisms contained in the macro-organisms be maintained." (Viktor Schauberger," Callum Coats: Water Wizard", 1934)

"This civilization is the work of man, who high-handedly and ignorant of the true workings of Nature, has created a world without meaning or foundation, which now threatens to destroy him, for through his behavior and his activities, he, who should be her master, has disturbed Nature's inherent unity." (Viktor Schauberger, "Callum Coats: Water Wizard", 1934)

"The true foundation of all culture is the knowledge and understanding of water. Water is the ur-substance or ur-cause of all creation and for this reason is the ur-original accumulator, which readily absorbs both earthly and cosmic substances and conveys them to the body in a purely objective form. This must be done in such a way that the ur-attributes will in no way be modified and that change as such can only first come about in the effect, which the organically correctly structured body mediates and imparts. For this reason a good spirit dwells in a healthy body. Conversely a body full of vitality can be created, maintained and further developed by healing the inhering spirit." (Viktor Schauberger, 1936)

"All motion consists of two components. One component serves inwardness (internalisation) and the other outwardness (dispersion). Both preconditions for motion regulate the eternal flow of metamorphosis (panta Rhei)." (Viktor Schauberger, "Callum Coats: Energy Evolution", Implosion Magazine No. 57, 2000)

"If we wish to influence our own life in a particular direction, which is constantly threatened by the danger of the emergence of alien life-forms, and protect it from deterioration, then we must either allow Nature to rule or, if we wish to intervene, we must first acquaint ourselves with the simplest principles of life." (Viktor Schauberger, "Callum Coats: Energy Evolution", Implosion Magazine No. 86, 2000)

"We must look into unknown dimensions, into Nature, into that incalculable and imponderable life, whose carrier and mediator, the blood of the Earth that accompanies us steadfastly from the cradle to the grave, is water." (Viktor Schauberger, "Callum Coats: Energy Evolution", Implosion Magazine No. 103, 2000)

"Naturally moving water augments itself. It improves its quality and matures considerably. Its boiling and freezing points change, and wise Nature makes use of this phenomenon to raise water, without using pumping equipment, to the highest mountain peaks, to appear as mountain springs. This conception of raising water is not to be taken literally, since in this context it is concerned with the natural process of propagation and purification. This in turn helps towards the expansion of air by creating an air cover, which serves to develop a higher form of life." (Viktor Schauberger)

"Nothing falls entirely! Nothing dies away completely! Nothing can totally deprive another of its rights! On the contrary, the deeper the fall, the higher the reactive upswing!" (Viktor Schauberger, "Callum Coats: The Fertile Earth") 

"Our primeval Mother Earth is an organism that no science in the world can rationalize. Everything on her that crawls and flies is dependent upon her and all must hopelessly perish if that Earth dies that feeds us." (Viktor Schauberger)