"A hemispherical bowl has a single, circular edge. So does a disc. If you sew the disc to the hemisphere you obtain a closed, two-sided surface; it has an inside and an outside. Topologists still call this a sphere, and it could be inflated back to a geometrical sphere if you like. Now take a long, narrow strip of paper, give it a half twist and glue the ends together. The resulting surface is not only one sided, it has but a single, closed edge. What happens if this edge is sewn to the rim of a disc?" (George K Francis, "A Topological Picturebook", 1987)
"A surface which can be regarded as the set of successive position of a curve moving in space is said to be generated by the curve. The utility of this notion in constructing a surface geometrically, in a picture or as a model is increased as the complexity of the generator and its motion is decreased. When the generator is a straight line, it is called a ruled surface. Since you can exchange X and Y in the above analysis, the hyperbolic paraboloid is generated by a line in two ways. It is a doubly ruled surface." (George K Francis, "A Topological Picturebook", 1987)
"Good design of a topological picture involves imagmmg something in 3-space that embodies the mathematical idea to be illustrated. Then you must draw it in such a way that the viewer has no difficulty in recognizing the idea. The picture should cause him to imagine the same object without his having to consult a long verbal description." (George K Francis, "A Topological Picturebook", 1987)
"Since the days of Descartes, expressing geometrical information in that universal language of mathematics, algebra, has been immensely useful in the service of precision and economy of thought. Nevertheless, something is inevitably lost in this transcription. The task of descriptive topology is to unfold the visual secrets so often compressed into algebraic shorthand." (George K Francis, "A Topological Picturebook", 1987)
"For complicated objects it is often impossible to find a view which does not hide some important structure behind a surface sheet. One remedy is to remove a regular patch from the object, creating a transparent window through which this structure can be seen in the picture." (George K Francis, "A Topological Picturebook", 1987)
"Perspective is the simplest and most direct way of creating the illusion of depth in a picture of spatially extended objects. The more or less correctly placed vanishing points of parallel lines, the estimated regression of evenly spaced points on a line, the elliptically compressed circles: all these tricks of perspective do more than merely please the eye. They help the viewer guess correctly where the artist meant to place things relative to each other. For example, even a modest amount of perspective convergence prevents you from mistaking a three-dimensional picture for a two-dimensional diagram." (George K Francis, "A Topological Picturebook", 1987)
"[...] the image of a stable map of a surface into space looks like in the neighborhood of each point. If no neighborhood, no matter how small, of a given point looks like a mildly bent disc, then it is a singular point. A stable map can have three kinds of singular points. In a neighborhood of a double point a surface looks like two sheets of some fabric crossing along a so-called double curve. A neighborhood of a triple point looks like three surface sheets crossing transversely. Thus triple points are isolated. You can see why a quadruple point is unstable. A slight perturbation of one of the sheets would make four sheets cross each other so as to produce a little tetrahedral cell. Double curves are either closed, extend to infinity, terminate on the border or simply end at very special points, called pinch points." (George K Francis, "A Topological Picturebook", 1987)
"The mode in which analytical expressions and coordinate equations are formulated has considerable influence on the speed and precision with which the reader glimpses the same thing the writer means to describe. At times, efficiency requires a departure from customary style in analytical geometry. This is especially true for 3-dimensional objects and phenomena." (George K Francis, "A Topological Picturebook", 1987)
"There are two topological reasons for adopting normal surfaces as the basic forms for drawings. A sufficiently small distortion of a stable mapping of a surface can be returned to its original shape by an isotopy of the ambient space. In other words, there is a one parameter family of coordinate changes which removes the distortion. Moreover, arbitrarily near any smooth mapping there is a stable approximation to it. A practical way to check that a certain surface feature is unstable is to remove it from the surface by means of a small perturbartions of its parametrization." (George K Francis, "A Topological Picturebook", 1987)
"These then are the elements of descriptive topology: normal surfaces with their border curves and double curves, triple points and pinch points, and their pictures with cusps and contours." (George K Francis, "A Topological Picturebook", 1987)