"At the most elemental level, reality evanesces into something called Schröedinger's Wave Function: a mathematical abstraction which is best represented as a pattern in an infinite-dimensional space, Hilbert Space. Each point of the Hilbert Space represents a possible state of affairs. The wave function for some one physical or mental system takes the form of, let us say, a coloring in of Hilbert Space. The brightly colored parts represent likely states for the system, the dim parts represent less probable states of affairs." (Rudy Rucker, "The Sex Sphere", 1983)
"Combinatorics can be classified into three types: enumerative, existential, and constructive. Enumerative combinatorics deals with the counting of combinatorial objects. Existential combinatorics studies the existence or nonexistence of combinatorial configurations. Constructive combinatorics deals with methods for actually finding specific configurations (as opposed to merely demonstrating their existence theoretically). [...] In constructive combinatorics, the problem is usually one of finding a solution efficiently, [...] using a reasonable length of time." (George Pólya, Robert E Tarjan & Donald R Woods, "Notes on Introductory Combinatorics", 1983)
"The progress of mathematics can be viewed as a movement from the infinite to the finite. At the start, the possibilities of a theory, for example, the theory of enumeration appear to be boundless. Rules for the enumeration of sets subject to various conditions, or combinatorial objects as they are often called, appear to obey an indefinite variety of and seem to lead to a welter of generating functions. We are at first led to suspect that the class of objects with a common property that may be enumerated is indeed infinite and unclassifiable." (Gian-Carlo Rota, [Preface to Combinatorial Enumeration by I.P. Goulden and D.M. Jackson], 1983)
"Much combinatorics of our day came out of an extraordinary coincidence. Disparate problems in combinatorics. ranging from problems in statistical mechanics to the problem of coloring a map, seem to bear no common features. However, they do have at least one common feature: their solution can be reduced to the problem of finding the roots of some polynomial or analytic function. The minimum number of colors required to properly color a map is given by the roots of a polynomial, called the chromatic polynomial; its value at N tells you in how many ways you can color the map with N colors. Similarly, the singularities of some complicated analytic function tell you the temperature at which a phase transition occurs in matter. The great insight, which is a long way from being understood, was to realize that the roots of the polynomials and analytic functions arising in a lot of combinatorial problems are the Betti numbers of certain surfaces related to the problem, Roughly speaking, the Betti numbers of a surface describe the number of different ways you can go around it. We are now trying to understand how this extraordinary coincidence comes about. If we do, we will have found a notable unification in mathematics." (Gian-Carlo Rota, "Mathematics, Philosophy and Artificial Intelligence", Los Alamos Science No. 12, 1985)
"Elementary functions, such as trigonometric functions and rational functions, have their roots in Euclidean geometry. They share the feature that when their graphs are 'magnified' sufficiently, locally they 'look like' straight lines. That is, the tangent line approximation can be used effectively in the vicinity of most points. Moreover, the fractal dimension of the graphs of these functions is always one. These elementary 'Euclidean' functions are useful not only because of their geometrical content, but because they can be expressed by simple formulas. We can use them to pass information easily from one person to another. They provide a common language for our scientific work. Moreover, elementary functions are used extensively in scientific computation, computer-aided design, and data analysis because they can be stored in small files and computed by fast algorithms." (Michael Barnsley, "Fractals Everwhere", 1988)
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