On Elegance (1900-1949)

"Mathematicians will do well to observe that a reasonable acquaintance with theoretical physics at its present stage of development, to mention only such broad subjects as electricity, elastics, hydrodynamics, etc., is as much as most of us can keep permanently assimilated. It should also be remembered that the step from the formal elegance of theory to the brute arithmetic of the special case is always humiliating, and that this labor usually falls to the lot of the physicist." (Carl Barus, "The Mathematical Theory of the Top", 1898)

"What are the mathematical entities to which we attribute this character of beauty and elegance, which are capable of developing in us a kind of aesthetic emotion? Those whose elements are harmoniously arranged so that the mind can, without effort, take in the whole without neglecting the details. This harmony is at once a satisfaction to out esthetic requirements, and an assistance to the mind which supports and guides." (Henri Poincaré, 1908)

"Mathematicians attach great importance to the elegance of their methods and their results. This is not pure dilettantism. What is it indeed that gives us the feeling of elegance in a solution, in a demonstration? It is the harmony of the diverse parts, their symmetry, their happy balance; in a word it is all that introduces order, all that gives unity, that permits us to see clearly and to comprehend at once both the ensemble and the details." (Henri Poincaré,"The Future of Mathematics", Monist Vol. 20, 1910)

"[...] what are the mathematic entities to which we attribute this character of beauty and elegance, and which are capable of developing in us a sort of esthetic emotion? They are those whose elements are harmoniously disposed so that the mind without effort can embrace their totality while realizing the details. This harmony 'is at once a satisfaction of our esthetic needs and an aid to the mind, sustaining and guiding." (Henri Poincaré, "Mathematical Creation", Monist Vol. 20, 1910)

"Elegance may produce the feeling of the unforeseen by the unexpected meeting of objects we are not accustomed to bring together; there again it is fruitful, since it thus unveils for us kinships before unrecognized. It is fruitful even when it results only from the contrast between the simplicity of the means and the complexity of the problem set; it makes us then think of the reason for this contrast and very often makes us see that chance is not the reason; that it is to be found in some unexpected law. In a word, the feeling of mathematical elegance is only the satisfaction due to any adaptation of the solution to the needs of our mind, and it is because of this very adaptation that this solution can be for us an instrument. Consequently this esthetic satisfaction is bound up with the economy of thought." (Jules Henri Poincaré, "The Future of Mathematics", Monist Vol. 20, 1910)

"It may be surprising to see emotional sensibility invoked apropos of mathematical demonstrations which, it would seem, can interest only the intellect. This would be to forget the feeling of mathematical beauty, of the harmony of numbers and forms, of geometric elegance. This is a true esthetic feeling that all real mathematicians know, and surely it belongs to emotional sensibility." (Henri Poincaré, 1913)

"Rhythm, symmetry, and a happy combination of elegance and utility - a blend often desired in later days of hope and struggle - these have been fully attained, and with them a delight in quiet communion with Nature, expressing as she does the sense of beauty in orderliness." (Marie-Luise Gothein, "A History of Garden Art", 1928)

"It is sometimes said of two expositions of one and the same mathematical proof that the one is simpler or more elegant than the other. This is a distinction which has little interest from the point of view of the theory of knowledge; it does not fall within the province of logic, but merely indicates a preference of an aesthetic or pragmatic character." (Karl R Popper,"The Logic of Scientific Discovery", 1934)

"Mathematicians themselves set up standards of generality and elegance in their exposition which are a bar to understand." (Kenneth E Boulding, "Economic Analysis", 1941)

"One expects a mathematical theorem or a mathematical theory not only to describe and to classify in a simple and elegant way numerous and a priori disparate special cases. One also expects ‘elegance’ in its ‘architectural’ structural makeup." (John von Neumann, "The Mathematician" [in "Works of the Mind" Vol. I (1), 1947])

"As an Art, Mathematics has its own standard of beauty and elegance which can vie with the more decorative arts. In this it is diametrically opposed to a Baroque art which relies on a wealth of ornamental additions. Bereft of superfluous addenda, Mathematics may appear, on first acquaintance, austere and severe. But longer contemplation reveals the classic attributes of simplicity relative to its significance and depth of meaning." (Dudley E Littlewood,"The Skeleton Key of Mathematics", 1949)