On Form (2000-2009)

"A more extreme form of exponential growth was probably responsible for the start of the universe. Astronomer and physicists now generally accept the Big Bang theory, according to which the universe started at an unimaginably small size and then doubled in a split second 100 times, enough to make it the size of a small grapefruit. This period of 'inflation' or exponential growth then ended, and linear growth took over, with an expanding fireball creating the universe that we know today." (Richar Koch, "The Power Laws", 2000)

"The seeming absence of any ascertained organizing principle in the distribution or the succession of the primes had bedeviled mathematicians for centuries and given Number Theory much of its fascination. Here was a great mystery indeed, worthy of the most exalted intelligence: since the primes are the building blocks of the integers and the integers the basis of our logical understanding of the cosmos, how is it possible that their form is not determined by law? Why isn't 'divine geometry' apparent in their case?" (Apostolos Doxiadis, "Uncle Petros and Goldbach's Conjecture", 2000)

"Formulation of a mathematical model is the first step in the process of analyzing the behaviour of any real system. However, to produce a useful model, one must first adopt a set of simplifying assumptions which have to be relevant in relation to the physical features of the system to be modelled and to the specific information one is interested in. Thus, the aim of modelling is to produce an idealized description of reality, which is both expressible in a tractable mathematical form and sufficiently close to reality as far as the physical mechanisms of interest are concerned." (Francois Axisa, "Discrete Systems" Vol. I, 2001)

"A good poem has a unified structure, each word fits perfectly, there is nothing arbitrary about it, metaphors hold together and interlock, the sound of a word and its reflections of meaning complement each other. Likewise postmodern physics asks: How well does everything fit together in a theory? How inevitable are its arguments? Are the assumptions well founded or somewhat arbitrary? Is its overall mathematical form particularly elegant?" (F David Peat, "From Certainty to Uncertainty", 2002)

"In the nonmathematical sense, symmetry is associated with regularity in form, pleasing proportions, periodicity, or a harmonious arrangement; thus it is frequently associated with a sense of beauty. In the geometric sense, symmetry may be more precisely analyzed. We may have, for example, an axis of symmetry, a center of symmetry, or a plane of symmetry, which define respectively the line, point, or plane about which a figure or body is symmetrical. The presence of these symmetry elements, usually in combinations, is responsible for giving form to many compositions; the reproduction of a motif by application of symmetry operations can produce a pattern that is pleasing to the senses." (Hans H Jaffé & ‎Milton Orchin,"Symmetry in Chemistry", 2002)

"Chaos itself is one form of a wide range of behavior that extends from simple regular order to systems of incredible complexity. And just as a smoothly operating machine can become chaotic when pushed too hard (chaos out of order), it also turns out that chaotic systems can give birth to regular, ordered behavior (order out of chaos). […] Chaos and chance don’t mean the absence of law and order, but rather the presence of order so complex that it lies beyond our abilities to grasp and describe it." (F David Peat, "From Certainty to Uncertainty", 2002)

"Chaos theory explains the ways in which natural and social systems organize themselves into stable entities that have the ability to resist small disturbances and perturbations. It also shows that when you push such a system too far it becomes balanced on a metaphoric knife-edge. Step back and it remains stable; give it the slightest nudge and it will move into a radically new form of behavior such as chaos." (F David Peat, "From Certainty to Uncertainty", 2002)

"The traditional, scientific method for studying such systems is known as reductionism. Reductionism sees the parts as paramount and seeks to identify the parts, understand the parts and work up from an understanding of the parts to an understanding of the whole. The problem with this is that the whole often seems to take on a form that is not recognizable from the parts. The whole emerges from the interactions between the parts, which affect each other through complex networks of relationships. Once it has emerged, it is the whole that seems to give meaning to the parts and their interactions." (Michael C Jackson, "Systems Thinking: Creative Holism for Managers", 2003)

"If the method of proof offers the mathematician the prospect of certainty, it is a form of certainty that is itself conditional. A proof, after all, conveys assumptions to conclusions, or axioms to theorems. If the hammer of certainty falls on the theorems, it cannot fall on the axioms with equal force." (David Berlinski, "Infinite Ascent: A short history of mathematics", 2005)

"The calculus is a theory of continuous change - processes that move smoothly and that do not stop, jerk, interrupt themselves, or hurtle over gaps in space and time. The supreme example of a continuous process in nature is represented by the motion of the planets in the night sky as without pause they sweep around the sun in elliptical orbits; but human consciousness is also continuous, the division of experience into separate aspects always coordinated by some underlying form of unity, one that we can barely identify and that we can describe only by calling it continuous." (David Berlinski, "Infinite Ascent: A short history of mathematics", 2005)

"When a musical piece is too simple we tend not to like it, finding it trivial. When it is too complex, we tend not to like it, finding it unpredictable - we don't perceive it to be grounded in anything familiar. Music, or any art form […] has to strike the right balance between simplicity and complexity […]" (Daniel Levitin, "This is Your Brain on Music", 2006)

"A great deal of the results in many areas of physics are presented in the form of conservation laws, stating that some quantities do not change during evolution of the system. However, the formulations in cybernetical physics are different. Since the results in cybernetical physics establish how the evolution of the system can be changed by control, they should be formulated as transformation laws, specifying the classes of changes in the evolution of the system attainable by control function from the given class, i.e., specifying the limits of control." (Alexander L Fradkov, "Cybernetical Physics: From Control of Chaos to Quantum Control", 2007)

"Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids. (F David Peat, "Pathways of Chance", 2007)

"Each of the most basic physical laws that we know corresponds to some invariance, which in turn is equivalent to a collection of changes which form a symmetry group. […] whilst leaving some underlying theme unchanged. […] for example, the conservation of energy is equivalent to the invariance of the laws of motion with respect to translations backwards or forwards in time […] the conservation of linear momentum is equivalent to the invariance of the laws of motion with respect to the position of your laboratory in space, and the conservation of angular momentum to an invariance with respect to directional orientation [...] discovery of conservation laws indicated that Nature possessed built-in sustaining principles which prevented the world from just ceasing to be." (John D Barrow, "New Theories of Everything", 2007)

"We tend to form mental models that are simpler than reality; so if we create represented models that are simpler than the actual implementation model, we help the user achieve a better understanding. […] Understanding how software actually works always helps someone to use it, but this understanding usually comes at a significant cost. One of the most significant ways in which computers can assist human beings is by putting a simple face on complex processes and situations. As a result, user interfaces that are consistent with users’ mental models are vastly superior to those that are merely reflections of the implementation model." (Alan Cooper et al, "About Face 3: The Essentials of Interaction Design", 2007)

"For mathematics to be applicable in any sense at all we need to be able to do something with it. In practice this nearly always means developing forms of calculation, and this imperative channels its practitioners into algebraic manipulations of one form or another and ultimately into producing numbers. To the modern mind, this might seem natural and inevitable." (Peter M Higgins, "Number Story: From Counting to Cryptography", 2008)

"Although the potential for chaos resides in every system, chaos, when it emerges, frequently stays within the bounds of its attractor(s): No point or pattern of points is ever repeated, but some form of patterning emerges, rather than randomness. Life scientists in different areas have noticed that life seems able to balance order and chaos at a place of balance known as the edge of chaos. Observations from both nature and artificial life suggest that the edge of chaos favors evolutionary adaptation. (Terry Cooke-Davies et al, "Exploring the Complexity of Projects", 2009)

"Mathematicians seek a certain kind of beauty. Perhaps mathematical beauty is a constant - as far as the contents of mathematics are concerned - and yet the forms this beauty takes are certainly cultural. And while the history of mathematics surely is many stranded, one of its most important strands is formed by such cultural forms of mathematical beauty." (Reviel Netz,"Ludic Proof: Greek Mathematics and the Alexandrian Aesthetic", 2009)    "Mathematicians are sometimes described as living in an ideal world of beauty and harmony. Instead, our world is torn apart by inconsistencies, plagued by non sequiturs and, worst of all, made desolate and empty by missing links between words, and between symbols and their referents; we spend our lives patching and repairing it. Only when the last crack disappears are we rewarded by brief moments of harmony and joy." (Alexandre V Borovik,"Mathematics under the Microscope: Notes on Cognitive Aspects of Mathematical Practice", 2009)   

"Much of the recorded knowledge of physics and engineering is written in the form of mathematical models. These mathematical models form the foundations of our understanding of the universe we live in. Furthermore, nearly all of the existing technology, in one way or another, rests on these models. To the extent that we are surrounded by evidence of the technology working and being reliable, human confidence in the validity of the underlying mathematical models is all but unshakable. (Jerzy A Filar, "Mathematical Models", 2009)

"Obviously, the final goal of scientists and mathematicians is not simply the accumulation of facts and lists of formulas, but rather they seek to understand the patterns, organizing principles, and relationships between these facts to form theorems and entirely new branches of human thought. (Clifford A Pickover, "The Math Book", 2009)