Mental Models XLI

"Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory: nothing can come of nothing." (Joshua Reynolds, "Discourses on Art", [discourse] 1769) 

"Taste is the intermediate faculty which connects the active with the passive powers of our nature, the intellect with the senses; and its appointed function is to elevate the images of the latter, while it realizes the ideas of the former."(Samuel T Coleridge, "On the Principles of Genial Criticism", 1814)

"The imagination […] that reconciling and mediatory power, which incorporating the reason in images of the sense and organizing (as it were) the flux of the senses by the permanence and self-circling energies of the reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths of which they are the conductors." (Samuel T Coleridge, "The Statesman's Manual", 1816) 

"Theories usually result from the precipitate reasoning of an impatient mind which would like to be rid of phenomena and replaces them with images, concepts, indeed often with mere words." (Johann Wolfgang von Goethe, "Maxims and Reflections", 1833) 

"Word and picture are correlatives which are continually in quest of each other, as is sufficiently evident in the case of metaphors and similes. So from all time what was said or sung inwardly to the ear had to be presented equally to the eye. And so in childish days we see word and picture in continual balance; in the book of the law and in the way of salvation, in the Bible and in the spelling-book. When something was spoken which could not be pictured, and something pictured which could not be spoken, all went well; but mistakes were often made, and a word was used instead of a picture; and thence arose those monsters of symbolical mysticism, which are doubly an evil." (Johann Wolfgang von Goethe, "Maxims and Reflections", 1833) 

"This language controls by reducing the linguistic forms and symbols of reflection, abstraction, development, contradiction; by substituting images for concepts. It denies or absorbs the transcendent vocabulary; it does not search for but establishes and imposes truth and falsehood." (Herbert Marcuse, "One-Dimensional Man", 1964) 

"Imagination is the outreaching of mind […] the bombardment of the conscious mind with ideas, impulses, images and every sort of psychic phenomena welling up from the preconscious. It is the capacity to ‘dream dreams and see visions’" (Rollo May, "The Courage to Create", 1975) 

"Myth is the system of basic metaphors, images, and stories that in-forms the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life." (Sam Keen, "The Passionate Life", 1983) 

"We must begin by distinguishing between visual mental imagery and visual perception: Visual perception occurs while a stimulus is being viewed, and includes functions such as visual recognition (i. e., registering that a stimulus is familiar) and identification (i. e., recalling the name, context, or other information associated with the object). Two types of mechanisms are used in visual perception: ‘bottom-up’ mechanisms are driven by the input from the eyes; in contrast, ‘top-down’ mechanisms make use of stored information (such as knowledge, belief, expectations, and goals). Visual mental imagery is a set of representations that gives rise to the experience of viewing a stimulus in the absence of appropriate sensory input. In this case, information in memory underlies the internal events that produce the experience. Unlike afterimages, mental images are relatively prolonged." (Stephen M Kosslyn, "Mental images and the brain", Cognitive Neuropsychology 22, 2005)