On Literature: On Games (From Fiction to Science-Fiction)

"It was beyond him how someone could voluntarily let himself get involved in this game of dimension-shifting and mutant-battling. But it takes all sorts to make a continuum." (Robert Silverberg, "MUgwump 4" 1959)

"The exploration of alien worlds was just a monotonous and exhausting game." (Arkady Strugatsky & Boris Strugatsky, "Prisoners of Power", 1969)

"In a smoke-congested back room of the universe the God of my agnostic imagination oversees this crooked card game." (Robert Thurston, "Good-Bye, Shelley, Shirley, Charlotte, Charlene", 1972)

"The catastrophe story, whoever may tell it, represents a constructive and positive act by the imagination rather than a negative one, an attempt to confront the terrifying void of a patently meaningless universe by challenging it at its own game. [. . .] Each one of these fantasies represents an arraignment of the finite, an attempt to dismantle the formal structure of time and space which the universe wraps around us at the moment we first achieve consciousness." (James G Ballard, "Cataclysms and Dooms" 1977)

"Human brains back then had become such copious and irresponsible generators of suggestions as to what might be done with life, that they made acting for the benefit of future generations seem one of many arbitrary games which might be played by narrow enthusiasts - like poker or polo or the bond market, or the writing of science-fiction novels." (Kurt Vonnegut Jr, "Galapagos" 1985)

"All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elegant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains malleable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of its rules." (Iain Banks, "The Player of Games", 1988)

"The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck." (Iain Banks, "The Player of Games", 1988)

"To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative - the reason people tell stories, and have told stories from the beginning of time." (Umberto Eco, "Six Walks in the Fictional Woods", 1994)

"Programming is the Great Game. It consumes you, body and soul. When you're caught up in it, nothing else matters. When you emerge into daylight, you might well discover that you're a hundred pounds overweight, your underwear is older than the average first grader, and judging from the number of pizza boxes lying around, it must be spring already. But you don't care, because your program runs, and the code is fast and clever and tight. You won." (Orson Scott Card, "How Software Companies Die", Windows Sources: The Magazine for Windows Experts, 1995)

"The real training ground for leadership is in the game." (Orson Scott Card, "First Meetings in Ender's Universe", 2002)