"Without facts we have no science. Facts are to the scientist what words are to the poet. The scientist has a love of facts, even isolated facts, similar to a poet’s love of words. But a collection of facts is not a science any more than a dictionary is poetry. Around his facts the scientist weaves a logical pattern or theory which gives the facts meaning, order and significance." (Isidor Isaac Rabi, "Faith in Science", Atlantic Monthly , Vol. 187, 1951)
"Culture consists of patterns, explicit and implicit, of and for behavior acquired and transmitted by symbols, constituting the distinctive achievement of human groups, including their embodiments in artifacts; the essential core of culture consists of traditional (i.e., historically derived and selected) ideas and especially their attached values; culture systems may, on the one hand, be considered as products of action, on the other as conditioning elements of further action." (Alfred L Kroeber & Clyde Kluckhohn, "Culture", 1952)
"Feedback is a method of controlling a system by reinserting into it the results of its past performance. If these results are merely used as numerical data for the criticism of the system and its regulation, we have the simple feedback of the control engineers. If, however, the information which proceeds backward from the performance is able to change the general method and pattern of performance, we have a process which may be called learning." (Norbert Wiener, 1954)
"The methods of science may be described as the discovery of laws, the explanation of laws by theories, and the testing of theories by new observations. A good analogy is that of the jigsaw puzzle, for which the laws are the individual pieces, the theories local patterns suggested by a few pieces, and the tests the completion of these patterns with pieces previously unconsidered." (Edwin P Hubble, "The Nature of Science and Other Lectures", 1954)
"Abstractions are wonderfully clever tools for taking things apart and for arranging things in patterns but they are very little use in putting things together and no use at all when it comes to determining what things are for." (Archibald MacLeish, "Why Do We Teach Poetry?", The Atlantic Monthly Vol. 197 (3), 1956)
"The essential vision of reality presents us not with fugitive appearances but with felt patterns of order which have coherence and meaning for the eye and for the mind. Symmetry, balance and rhythmic sequences express characteristics of natural phenomena: the connectedness of nature - the order, the logic, the living process. Here art and science meet on common ground." (Gyorgy Kepes, "The New Landscape: In Art and Science", 1956)
"For understanding the general principles of dynamic systems, therefore, the concept of feedback is inadequate in itself. What is important is that complex systems, richly cross-connected internally, have complex behaviours, and that these behaviours can be goal-seeking in complex patterns." (W Ross Ashby, "An Introduction to Cybernetics", 1956)
"The essential vision of reality presents us not with fugitive appearances but with felt patterns of order which have coherence and meaning for the eye and for the mind. Symmetry, balance and rhythmic sequences express characteristics of natural phenomena: the connectedness of nature - the order, the logic, the living process. Here art and science meet on common ground." (Gyorgy Kepes, "The New Landscape: In Art and Science", 1956)
"Mathematics are the result of mysterious powers which no one understands, and which the unconscious recognition of beauty must play an important part. Out of an infinity of designs a mathematician chooses one pattern for beauty's sake and pulls it down to earth." (Marston Morse, 1959)
"One of mankind’s earliest intellectual endeavors was the attempt to gather together the seemingly overwhelming variety presented by nature into an orderly pattern. The desire to classify - to impose order on chaos and then to form patterns out of this order on which to base ideas and conclusions - remains one of our strongest urges." (Roger L Batten, 1959)
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