On Mind (1950-1959)

"The eye sees only what the mind is prepared to comprehend." (Robertson Davies, "Tempest-Tost", 1951)

"The process of understanding in nature, together with the joy that man feels in understanding, i.e., in becoming acquainted with new knowledge, seems therefore to rest upon a correspondence, a coming into congruence of preexistent internal images of the human psyche with external objects and their behavior. […] the place of clear concepts is taken by images of strongly emotional content, which are not thought but  are seen pictorially, as it were, before the minds eye." (Wolfgang Pauli, "Der Einfluss archetypischer Vorstellungen auf die Bildung  naturwissenschaftlicher Theorien bei Kepler", 1952)

"Logic and truth are two very different things, but they often look the same to the mind that’s performing the logic. " (Theodore Sturgeon, "More Than Human", 1953)

"A discovery in science, or a new theory, even when it appears most unitary and most all-embracing, deals with some immediate element of novelty or paradox within the framework of far vaster, unanalysed, unarticulated reserves of knowledge, experience, faith, and presupposition. Our progress is narrow; it takes a vast world unchallenged and for granted. This is one reason why, however great the novelty or scope of new discovery, we neither can, nor need, rebuild the house of the mind very rapidly. This is one reason why science, for all its revolutions, is conservative. This is why we will have to accept the fact that no one of us really will ever know very much. This is why we shall have to find comfort in the fact that, taken together, we know more and more." (J. Robert Oppenheimer, Science and the Common Understanding, 1954)

"In products of the human mind, simplicity marks the end of a process of refining, while complexity marks a primitive stage." (Eric Hoffer, 1954)

"Mathematics, like music and poetry, is a creation of the mind; [...] the primary task of the mathematician, like that of any other artist, is to extend man's mental horizon by representation and interpretation." (Graham Sutton, "Mathematics in Action", 1954)

"Scientific metaphors are called models. They are made with the full knowledge that the connection between the metaphor and the real thing is primarily in the mind of the scientist. And they are made with a clearly definable purpose - as starting points of a deductive process. […] Like every other aspect of scientific procedure, the scientific metaphor is a pragmatic device, to be used freely as long as it serves its purpose, to be discarded without regrets when it fails to do so." (Anatol Rapoport, "Operational Philosophy", 1954)

"The creative act owes little to logic or reason. In their accounts of the circumstances under which big ideas occurred to them, mathematicians have often mentioned that the inspiration had no relation to the work they happened to be doing. Sometimes it came while they were traveling, shaving or thinking about other matters. The creative process cannot be summoned at will or even cajoled by sacrificial offering. Indeed, it seems to occur most readily when the mind is relaxed and the imagination roaming freely." (Morris Kline, Scientific American, 1955)

"There comes a point where the mind takes a leap - call it intuition or what you will - and comes out upon a higher plane of knowledge, but can never prove how it got there. All great discoveries have involved such a leap." (Albert Einstein, [interview in Life, "Death of a Genius"] 1955)

"As shorthand, when the phenomena are suitably simple, words such as equilibrium and stability are of great value and convenience. Nevertheless, it should be always borne in mind that they are mere shorthand, and that the phenomena will not always have the simplicity that these words presuppose." (W Ross Ashby, "An Introduction to Cybernetics", 1956)

"Speaking without metaphor we have to declare that we are here faced with one of these typical antinomies caused by the fact that we have not yet succeeded in elaborating a fairly understandable outlook on the world without retiring our own mind, the producer of the world picture, from it, so that mind has no place in it. The attempt to press it into it, after all, necessarily produces some absurdities." (Erwin Schrödinger, "Mind and Matter: the Tarner Lectures", 1956)

"The essential vision of reality presents us not with fugitive appearances but with felt patterns of order which have coherence and meaning for the eye and for the mind. Symmetry, balance and rhythmic sequences express characteristics of natural phenomena: the connectedness of nature - the order, the logic, the living process. Here art and science meet on common ground." (Gyorgy Kepes, "The New Landscape: In Art and Science", 1956)

"We dissect nature along the lines laid down by our native languages. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscopic flux of impressions which has to be organized by our minds - and this means largely by the linguistic systems in our minds. […] We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar or can in some way be calibrated." (Benjamin L Whorf, 1956)

"Cybernetics is not merely another branch of science. It is an intellectual revolution that rivals in importance the earlier Industrial Revolution. Is it possible that just as a machine can take over the routine functions of human muscle, another can take over the routine uses of human mind? Cybernetics answers, yes." (Isaac Asimov, [preface to Pierre de Latil’s "Thinking by Machine"] 1957)

"Chaos is but unperceived order; it is a word indicating the limitations of the human mind and the paucity of observational facts. The words ‘chaos’, ‘accidental’, ‘chance’, ‘unpredictable’ are conveniences behind which we hide our ignorance." (Harlow Shapley, "Of Stars and Men: Human Response to an Expanding Universe", 1958)

"The diagrams and circles aid the understanding by making it easy to visualize the elements of a given argument. They have considerable mnemonic value […] They have rhetorical value, not only arousing interest by their picturesque, cabalistic character, but also aiding in the demonstration of proofs and the teaching of doctrines. It is an investigative and inventive art. When ideas are combined in all possible ways, the new combinations start the mind thinking along novel channels and one is led to discover fresh truths and arguments, or to make new inventions. Finally, the Art possesses a kind of deductive power." (Martin Gardner, "Logic Machines and Diagrams", 1958)

"Mathematics is a model of exact reasoning, an absorbing challenge to the mind, an esthetic experience for creators and some students, a nightmarish experience to other students, and an outlet for the egotistic display of mental power." (Morris Kline, "Mathematics and the Physical World", 1959)

"The time has come to realise that an interpretation of the universe - even a positive one - remains unsatisfying unless it covers the interior as well as the exterior of things; mind as well as matter. The true physics is that which will, one day, achieve the inclusion of man in his wholeness in a coherent picture of the world." (Pierre Teilhard de Chardin, "The Phenomenon of Man", 1959)