"This means that it is not a dead thing; it is not at all like a photographic plate with which one may reproduce copies indefinitely. Being dependent on the state of the brain, the image undergoes change like all living substance, - it is subject to gains and losses, especially losses. But each of the foregoing three classes has its use for the inventor. They serve as material for different kinds of imagination - in their concrete form, for the mechanic and the artist; in their schematic form, for the scientist and for others." (Théodule-Armand Ribot, "Essay on the Creative Imagination" , 1900)
"We form in the imagination some sort of diagrammatic, that is, iconic, representation of the facts, as skeletonized as possible. The impression of the present writer is that with ordinary persons this is always a visual image, or mixed visual and muscular; but this is an opinion not founded on any systematic examination." (Charles S Peirce, "Notes on Ampliative Reasoning", 1901)
"An icon is a representamen of what it represents and for the mind that interprets it as such, by virtue of its being an immediate image, that is to say by virtue of characters which belong to it in itself as a sensible object, and which it would possess just the same were there no object in nature that it resembled, and though it never were interpreted as a sign. It is of the nature of an appearance, and as such, strictly speaking, exists only in consciousness, although for convenience in ordinary parlance and when extreme precision is not called for, we extend the term icon to the outward objects which excite in consciousness the image itself." (Charles S Peirce,"On Existential Graphs, Euler's Diagrams, and Logical", 1903)
"The diagram-language into which a proposition in mathematics is translated cannot possibly consist in nothing but a diagram, since no diagram, even if it be a changing one can present more than a single object, while the verbal expression of the proposition to be proved is necessarily general. To revert to our example, a proposition about any spherical triangle whatsoever, relates to something that no single image of a spherical triangle can cover. Accordingly, every diagram must be supplemented by certain general understandings or explicit rules, which shall warrant the substitution for one diagram of any other conforming to certain rules. These will be rules of permissible substitution, partly limited to the special proposition, partly extending to an entire class of diagrams to which this one belongs. " (Charles S Peirce, [manuscript] 1903)
"The mind of man, learning consciously and unconsciously lessons of experience, gradually constructs a mental image of its surroundings - as the mariner draws a chart of strange coasts to guide him in future voyages, and to enable those that follow after him to sail the same seas with ease and safety." (William C Dampier, "The Recent Development of Physical Science" , 1904)
"A diagram is an icon or schematic image embodying the meaning of a general predicate; and from the observation of this icon we are supposed to construct a new general predicate." (Charles S Peirce, "New Elements" ["Kaina stoiceia"], 1904)
"Confronted with the mystery of the Universe, we are driven to ask if the model our minds have framed at all corresponds with the reality; if, indeed, there be any reality behind the image." (Sir William C Dampier, "The Recent Development of Physical Science", 1904)
"The mathematical formula is the point through which all the light gained by science passes in order to be of use to practice; it is also the point in which all knowledge gained by practice, experiment, and observation must be concentrated before it can be scientifically grasped. The more distant and marked the point, the more concentrated will be the light coming from it, the more unmistakable the insight conveyed. All scientific thought, from the simple gravitation formula of Newton, through the more complicated formulae of physics and chemistry, the vaguer so called laws of organic and animated nature, down to the uncertain statements of psychology and the data of our social and historical knowledge, alike partakes of this characteristic, that it is an attempt to gather up the scattered rays of light, the different parts of knowledge, in a focus, from whence it can be again spread out and analyzed, according to the abstract processes of the thinking mind. But only when this can be done with a mathematical precision and accuracy is the image sharp and well-defined, and the deductions clear and unmistakable. As we descend from the mechanical, through the physical, chemical, and biological, to the mental, moral, and social sciences, the process of focalization becomes less and less perfect, - the sharp point, the focus, is replaced by a larger or smaller circle, the contours of the image become less and less distinct, and with the possible light which we gain there is mingled much darkness, the sources of many mistakes and errors. But the tendency of all scientific thought is toward clearer and clearer definition; it lies in the direction of a more and more extended use of mathematical measurements, of mathematical formulae." (John T Merz, "History of European Thought in the 19th Century" Vol. 1, 1904)
"The mind of man, learning consciously and unconsciously lessons of experience, gradually constructs a mental image of its surroundings - as the mariner draws a chart of strange coasts to guide him in future voyages, and to enable those that follow after him to sail the same seas with ease and safety." (William C Dampier, "The Recent Development of Physical Science" , 1904)
"A mental image gives you a framework upon which to work. It is like the drawing of the architect, or the map of the explorer. Think over this for a few moments until you get the idea firmly fixed in your mind." (William W Atkinson, "Practical Mental Influence and Mental Fascination", 1908)
"Materialism is the recognition of 'objects in themselves' , or outside the mind; ideas and sensations are copies of images of those objects." (Vladimir Lenin, "Materialism and Empirio-Criticism", 1908)
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